-
Feature Request – Colortrace Camera Source Settings Options
This may have been brought up before, so someone please direct to me to the thread if its been talked about (I couldn’t find it on a search), but I would love to be able to have the option to color trace Camera Source Settings along with grade information. A checkbox option for this seems reasonable as a means of turning this function on or off in the colortrace page. I’ve been reconforming a red feature (hard drives failed and lost all trimmed source media), and having to manually paste stills of all my old grades on first to get my source settings before I use colortrace to copy key-framing etc.
Someone let me know if this already exists, I’d love to be happily surprised!
Chris Hall
Colorist – Basher Films
Pasadena, CA -
4 Replies
-
I absolutely second this !
A slice of color…
Resolve 9.0.4 OSX 10.8.2
Colorist / Aerial footage producer
https://vimeo.com/saschahaber -
+1
If that change came along with some additional colortrace functionality to use other-than-version-1 versions, that would be great as well.
KC
-
+1 very important as lots and lots of raw files are pouring in
prathvish hegde
colorist
(DaVinci Resolve and 2Kplus)https://www.youtube.com/playlist?list=PLRPJQ3fIEoojI3JMa4rHKb9gqq8VeIZ81
Some contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.
-
How about just being able to save a timeline with all of its contents – conform, grades (versions too, please), animation, render settings etc.
Timelines could then be used for versioning, something that is already a challenge in Resolve.
Also, it’s practically impossible to bring a timeline completely in tact from one project to another – you lose camera settings, version, and color trace is not always 100% perfect, the amount of qc that has to go on to ensure that every single clip has the right grade is monumental. I guess a little bit manageable for spots, but on a feature with 2000+ cuts not so much.
The data is there – if you can open a project and get the same grades, version, & animation you had the last time you open the project, then it should be less than trivial to do the same for a timeline.
John Tissavary | colorist | owner
The Post Collective
Reply to this Discussion! Login or Sign Up