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FCPX and Pervasive Metadata
In the “Thanks for All the Fish” thread, Walter Soyka posted the following:
“Pervasive metadata is absolutely the way of the future.”
This is also a view that I’ve heard stated in similar ways from other users as well.
So is it?
On the one hand, we are told that the future is these freelancers shooting on their DSLRs and coming back to FCPX on their Mac Book Pro/iMac and churning out video that is fully “baked” inside Apple’s NLE. This implies low cost/quick turnaround video.
So where does metadata fit in? With video being “cheaper”, the longer one spends per project, the less one actively makes. So why spend an hour logging all the footage when you’re shooting one project before moving on to the next and time is money? Where does metadata fit into this revolutionary new workflow? Cataloging footage in this manner comes in hand in two scenarios: 1) long-form work and 2) database footage. Outside of b-roll, the second doesn’t seem likely for these new individual shooters, and how does the second work when it’s all short-form Internet distributed material?