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FCP7 on Yosemite!
Folks, I’m back with good and bad new, hence questions:
I’ve finally taken the dive and a 3.3 Mgz 5K iMac (32 Gb RAM 3 TB Fusion Drive / 120 Gb SSD internal, and yes, Media is ALL on external 4TB Hard Drives connected via USB 3) is standing in front of me with FCP 7 running on it quite nicely (although I haven’t had time to play with plug-ins yet). That’s the good news.
FYI:
* Current project involves 170 hrs+ various HD Media (different codecs, all painstakingly converted to ProRes 422 LT on my MBP 15″ – long nites letting it work).* For the time being working with up to 7 simultaneous video tracks (7 cams, which means 14+ Audio tracks (studio mixes add up), syncing with slates (and audio phasing when slates are missing), until I get the multitrack issue below solved)
So far so good… IO have a lot of experience with this workflow, so I’m surviving, but:
Q1: at one point when I add more than 4 or 5 clips to the TL (overlaying due to syncing several cams), the sections that include the stereo studio mixes need audio rendering – only those sections! The mixes are placed on A1 (a & b). The video clips with their own audio start on A5 to A9. Since these sections need rendering, I can’t use the A1 audio tracks to verify sync by phasing left & right balances because of the beep beep. However, If I turn off (on the audible button) 4! used audio tracks (I mean 2 stereo tracks) anywhere below A1, no matter which ones, the red render line disappears and I can use the mute buttons again to choose, for ex. A6a and A8b (to sync tracks 6 & 8). As I click off the tracks, it’s really when I hit the 4rth track that the render issue disappears, and these tracks don’t have to be paired (for ex. A5b to A7a). I’ve encountered something similar before, long ago, and I haven’t the faintest clue how I resolved it back then. I tried re-importing new audios with different bit rates to no avail. I re-exported the studio mixes to different bit rates as well. There is a worm in the can. And yes of course all is 48 KHz. My sequence setting is set at ProRes 422LT 48 KHz 16-bit channel grouped where I can only choose between 8, 16 and 24-bit audio; However, the browser claims the sequence is 32-bit floating point! I tried creating a new sequence, no difference.
Q2: I switched from my 5-yr old MBP to this fine machine in order to view on 3 screens – that works like a charm –, but also because on the MBP multiclip was bogging down in playback after a few seconds when I had 4 multiclips or more. I will be needing 7 as of now, quite frankly. So I assumed the issue was Processor speed, RAM and graphics cards, which I boosted like hell by moving to the iMac. (I was on 2.3 GHz / 8 GB RAM and I really feel the difference)
Well whaddaya know?… multiclip playback bogs down exactly like on the MBP. I have read and re-read as many threads as I could, tried just about everything recommended, to no avail.
Who can guess what I’m doing wrong? I’m convinced it has to do with my settings, I can’t believe the machine can’t handle it. Or is it an FCP / problem alone?
Desperately anxious for advice, thanks folks!
Q1:
Michael Brown