[Tammy Jez] “why did it originally let me use that clip in my sequence??”
Unfortunately, FCP does make it seem that MP4 is editable, and yes, that’s a problem. FCP should absolutely balk at all non-editable codecs, however the app’s heritage is one of open framework, and it has always offered editors a limited supply of “realtime codecs,” able to use all FCP bells and whistles, and a supply of non-realtime codecs, which FCP would put up with, but never very happily.
H.264 and MP4 trick FCP and many editors into thinking they are of the non-realtime family of codecs, but that is just an illusion. That being said, anyone editing for a living needs to stay in tune at all times with the technical side of the business. Editing issues with MP4 and h.264 are not new, and they are discussed daily on this and other websites.
So Tammy, I encourage to come to this forum as often as you can so you will know what you need to know before you need to know it…
As Dave LaRonde mentioned, use Streamclip to transcode to ProRes 422.
Hope this helps you,
David
David Roth Weiss
Director/Editor/Colorist
David Weiss Productions, Inc.
Los Angeles
https://www.drwfilms.com
POST-PRODUCTION WITHOUT THE USUAL INSANITY ™
A forum host of Creative COW’s Business & Marketing and Apple Final Cut Pro forums. Formerly host of the Apple Final Cut Basics, Indie Film & Documentary, and Film History & Appreciations forums.