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FCP Capture decision: Native HDV? or DVCPro HD codec?
We’re cutting a feature film shot on HDV (Z1’s) with two Powerbook G4’s and as all our tapes are logged – we come to capture and have been alerted to the option of possibly transcoding using the DVCPro HD 1080i codec as opposed to sticking with FCP’s Native HDV in final cut studio.
We’ve read lots of Pro’s and Cons, but no one seems to have a definitive answer: understandable, workflows are precious and subjective. I personally cut native HDV footage every day on G5’s and my Powerbook and it works fine, but have never tackled the length of a feature.
We’re effectively onlining from our machines also, which might be tricky, and output decisions loom as we will need an HD Master, Beta Master, (obviously DVD is fine) and eventally going to a monitor transfer to 35mm.
Given that we have limited equipment, without external cards and bridging decks etc, does anyone have any advice as to what codec to stick toint he long run? Anyone with any similar (practical) experience on this? Ist it really possible to capture this Sony HDV 1080i footage through the DVCPro HD codec? Will it garner better results visually? i.e. colour palette, transtitions, effects, etc… Longer render times?
Any help greatly appreciated. Decisions, decisions….