Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy Exporting XDCAM Footage

  • Exporting XDCAM Footage

    Posted by Sascha Engel on June 5, 2010 at 11:39 am

    Hi Everybody,

    I am editing a small feature, shot on the EX1. I edit the film with the FCP transcoded files in an XDCAM Timeline in FCP. When I export the whole thing, and I want to take it to ProRes – is it best doing it fromout FCP or over compressor? Also for the Colour corrections in colour: Can I do the roundtrip fromout FCP with the XDCAM timeline, or it has to be already there ProRes Files?

    Thanx for some advice.

    Greetings,

    Sascha

    Sascha Engel replied 15 years, 11 months ago 3 Members · 8 Replies
  • 8 Replies
  • Rafael Amador

    June 5, 2010 at 11:55 am

    Sascha,

    [Sascha Engel] “I am editing a small feature, shot on the EX1. I edit the film with the FCP transcoded files in an XDCAM Timeline in FCP. When I export the whole thing, and I want to take it to ProRes “

    Just change the sequence codec before exporting. Set also “Render in High precision”.

    You can send your XDCAM sequence to color without problem. From Color you have to export in Prores, Uncompress or logarithmic.
    rafael

    http://www.nagavideo.com

  • Sascha Engel

    June 5, 2010 at 12:43 pm

    Thanx Rafael – as usual fast, short and good advice!! 🙂

    Sascha

  • Arnie Schlissel

    June 5, 2010 at 5:02 pm

    I’ve graded EX3 native footage in Color. The only problem I had (and I also had this with HDV footage) was that there were often 1 or 2 black frames at the end of a clip that came out of Color, which also caused exports to crash. The workaround is to simply render with handles, moving the black frames out to the unused part of the shot.

    Arnie
    Post production is not an afterthought!
    https://www.arniepix.com/

  • Sascha Engel

    June 5, 2010 at 7:41 pm

    Does that mean, you added before you start the roundtrip manually handles in beginning and end of each clip.
    Man, for a whole feature that is some heavy prep work!

    How did you do it?

    Sascha

  • Rafael Amador

    June 6, 2010 at 1:40 am

    I’m cutting and sending to Color EX footage since more than two years and never had nothing like that.
    A previous version of Color had some issues with the IN and OUT points, but that was fixed long ago.
    rafael

    http://www.nagavideo.com

  • Sascha Engel

    June 6, 2010 at 7:25 am

    Oh ha, I hope I am not a candidate for this problem then, since I have still the version 1.0.4.
    Is that the problematic one?

    Sascha

  • Rafael Amador

    June 6, 2010 at 8:33 am

    No; was an older version but as I said was quickly fixed
    Was just one frame shift, so the grade was applied to the first frame of the next cut. Easy to detect.
    Now I work with footage from the nano-flash too, and no issues.
    rafael

    http://www.nagavideo.com

  • Sascha Engel

    June 6, 2010 at 8:36 am

    Nano Flash – me jealous!
    You told me once about it sow I watched some footage – Holy S***!
    I think it’s awesome pictures! Amazing resolution.
    Yup, that would be my wish – an own EX3 and a NanoFlash – dream come true.

    Greetz,

    Sascha

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy