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Exporting an EDL for Color Correction
Hello,
I’m assistant editing on a short 35mm film which was digitized in HD and edited in Final Cut Pro. The company that is now doing color correction asked me for an EDL both A-MODE and C-MODE. I read in another post that I was supposed to use Cinema-tools from the beginning in order to keep track of data from the telecine and I was also supposed to receive a flex file from the transfer company which contains this information. Since this is my first film, I am a bit overwhelmed and am wondering if an EDL can still be created at this point, or if I am basically screwed?
– Matt