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Activity Forums Apple Final Cut Pro Legacy exporting a timeline in an odd aspect ratio

  • exporting a timeline in an odd aspect ratio

    Posted by Nathan Morris on February 19, 2010 at 5:26 pm

    hi..

    had a search for this – couldn’t find anything..

    i’m editing a package to be broadcast on some screens which are a odd aspect 20×5 – any help on how to export timeline as this aspect..

    thanks for any help you can give

    cheers

    Walter Soyka replied 16 years, 2 months ago 3 Members · 4 Replies
  • 4 Replies
  • Nathan Morris

    February 19, 2010 at 6:03 pm

    hey,

    yeah it’s not for TV….

    it’s for a screen at an awards show. trust me, i don’t like the aspect either – so what’s the best way to go about this then? letterbox and move each image to the best possible positions?

  • Nathan Morris

    February 20, 2010 at 11:48 am

    yeah, you’re right – good advice, thank you….

  • Rafael Amador

    February 20, 2010 at 3:28 pm

    I agree with Dave.
    To make the movie is not a problem, the question is how will be played to keep that aspect..
    Rafael

    http://www.nagavideo.com

  • Walter Soyka

    February 23, 2010 at 4:39 pm

    Dave, thanks for the kind words!

    [Dave LaRonde] “It might be for one single, long screen, but I doubt that’s how it’s going to be played back! I’m thinkin’ about 4 or 5 playback devices…and for work like that, you’ll want to press the client for WHAT YOU NEED TO DELIVER. You need specifics before you can start cutting Second One. You can’t think in normal TV Terms.”

    To expand on this point a bit, you can’t make any of the assumptions that you normally do when working in broadcast. You need to find out the frame size (in pixels, knowing the aspect ratio isn’t enough); you need to find out the frame rate; these details will define your working space.

    Your delivery space will probably be different than your working space. As Dave mentioned, playback will probably come from multiple devices, so you need to find out what sizes and formats you are expected to deliver.

    Beyond that, there are all the design considerations; working in widescreen is a bit different than traditional broadcast frame sizes. Full-frame visuals from video or film don’t usually work unless they were shot with the wide ratio in mind, so a lot of my widescreen work is more motion graphics and compositing than editing.

    Once you have some more information, we’d love to see you on the Live & Stage Events forum that Dave referred you to.

    Walter Soyka
    Principal & Designer at Keen Live
    Motion Graphics, Widescreen Events, Presentation Design, and Consulting
    RenderBreak Blog – What I’m thinking when my workstation’s thinking
    Creative Cow Forum Host: Live & Stage Events

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