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Activity Forums Creative Community Conversations EDL is dead… Long live XML!

  • Tomislav Rupic

    April 21, 2011 at 7:34 am

    Resolve8 is supporting xml! I was so happy to read that news 🙂

  • Matthew Sonnenfeld

    April 21, 2011 at 4:31 pm

    [Sam Cole] “International delivery specifications require an EDL with the masters.
    No EDL means reject. If FCPX no longer supports EDL then we can’t use FCPX to create international masters.”

    This is very true. In all of my experience at broadcast networks we have used EDLs for both Footage and Stills Logs and Music Cues which have always been a requirement for every Production Bible we have ever created to be delivered with the masters. Without EDL, Final Cut Pro X cannot be used in a broadcast setting.

    Will this change? Probably, but something’s gotta give somewhere. Most networks that I’ve worked with will still require masters to be delivered on tape but this may be changing too. It’s a mad world we live in today.

    Panasonic HPX170 P
    2008 Unibody Macbook Pro 15 inch, 2.8 Ghz, 4GB RAM
    CalDigit VR
    Final Cut Pro Studio 3
    Avid Media Composer
    The College of WIlliam and Mary

  • Mark Raudonis

    April 22, 2011 at 12:13 am

    [Matthew Sonnenfeld] “Most networks that I’ve worked with will still require masters to be delivered on tape but this may be changing too”

    Changing by the minute. The tragic events in Japan have caused the nets to reconsider their requirements.

    Delivery requirements always lag a few years behind the technology. For that matter, so do budgets.
    It takes awhile for the less technical minded (business affairs/accounting) to wake up to the fact that the world has changed and address those changes within the budgets/delivery requirements.

    The larger the organization, the slower the change. But, change WILL happen eventually. Inevitably. Incrementally.

    Mark

  • Walter Biscardi

    April 22, 2011 at 12:18 am

    As long as OMF and AAF are included, I really don’t care much about EDL’s.

    Walter Biscardi, Jr.
    Editor, Colorist, Director, Writer, Consultant, Author, Chef.
    HD Post and Production
    Biscardi Creative Media

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  • Walter Soyka

    April 22, 2011 at 1:04 am

    [Matthew Sonnenfeld] “This is very true. In all of my experience at broadcast networks we have used EDLs for both Footage and Stills Logs and Music Cues which have always been a requirement for every Production Bible we have ever created to be delivered with the masters. Without EDL, Final Cut Pro X cannot be used in a broadcast setting.”

    Agreed that EDL is still a critical feature (and one that I still rely on), both for interoperability and delivery — I just can’t wait for it not to be. Interchange desperately needs an update.

    Walter Soyka
    Principal & Designer at Keen Live
    Motion Graphics, Widescreen Events, Presentation Design, and Consulting
    RenderBreak Blog – What I’m thinking when my workstation’s thinking
    Creative Cow Forum Host: Live & Stage Events

  • Erik Lindahl

    April 23, 2011 at 2:50 pm

    The only time we use EDL today is when sending offline-cuts to get graded (source tends to be film or RED). However, if Resolve retains solid XML-support this is a no -issue. In Sweden broadcast-masters have been filebased since 2007 I think and we havent ever had EDL-requirements here.

    Solid OMF-support is however a must as all audio-editing is done in Protools.

    ————————
    Erik Lindahl
    Freecloud Post Production Services
    http://www.freecloud.se

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