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DVCPRO HD 720 24p–>1080i 59.94 Master Workflow?
I’m looking to shoot a show in 24p using the Panasonic HPX900. Cut in FCP using the AJA Kona 3 and deliver a 1080i 59.94 HDCAM Master.
-At this point im still unclear as to work in a 59.94 sequence in 23.98?
-If I do work in 23.98, when laying off to tape, my timecode will certainly be screwey,if I work in 59.94 my 23.98 footage with duplicate frames removed doesn’t work.
-Should I capture in 23.98, with the pulldown happening on capture, then figure out a way to get it to 59.94 master?
-Should I capture in 59.94 (leaving the duplicate frames in there and pull them out somewhere along the way before dumping to tape)?
I know it is possible to shoot and cut 24p and deliver in 59.94. I just need a little help figuring it al out.
