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Dual timeline windows
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[Jeremy Garchow] “Make a compound of a graded clip in the timeline, match frame it to the Event Viewer. View next clip in timeline, grade.
It’s an unconventional way of working, but it’s far from useless and it does work.”My point is that when you are grading, you are never just working to match a single shot, but rather multiple shots within the timeline. Are you going to compound each and every one? Gee – now that’s a really viable solution!
And yes, Speedgrade – and also Media Composer/Symphony – handle this very well.
– Oliver
Oliver Peters Post Production Services, LLC
Orlando, FL
http://www.oliverpeters.com -
I’m just saying, there’s a way to do it.
Yes, compound each one. It’s unconventional.
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[Jeremy Garchow] “Yes, compound each one. It’s unconventional.”
I think “unconventional” is being kind 😉
– Oliver
Oliver Peters Post Production Services, LLC
Orlando, FL
http://www.oliverpeters.com -
Hope it helps someone.
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It’s a little f*cked up, but it works.
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Why not exporting a couple of stills for reference and then import these. From there you can easily somehow use the method Jeremy suggested.
Show the the Event Viewer and compare.
-Andreas
Spherico
https://www.spherico.com/filmtools“He who fights with monsters should be careful lest he thereby
become a monster. And if thou gaze long into an abyss, the abyss will
also gaze into thee.” – Friedrich Nietzsche, Beyond Good and Evil
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