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Activity Forums Apple Final Cut Pro Legacy Downconverting HD->SD PAR question

  • Downconverting HD->SD PAR question

    Posted by Accountneedsrealnameupdate on March 13, 2007 at 10:36 pm

    I have a question that might sound very stupid, but I thought I’d try :

    If I have footage that was shot on a Varicam in DVCPROHD-720p, the PAR is 1.33. If I downconvert this to fit onto a regular 16/9 codec such as DV NTSC, that has a different PAR, won’t things look squashed? Is there a way to avoid this?

    Thanks
    Alex

    Chris Borjis replied 19 years, 2 months ago 3 Members · 3 Replies
  • 3 Replies
  • Walter Biscardi

    March 13, 2007 at 10:48 pm

    [disciple1] “If I have footage that was shot on a Varicam in DVCPROHD-720p, the PAR is 1.33. If I downconvert this to fit onto a regular 16/9 codec such as DV NTSC, that has a different PAR, won’t things look squashed? Is there a way to avoid this?”

    FCP takes care of this for you automatically using the Distort function. If you drop the 720p material into a DV timeline, you’ll get an automatic letterbox resizing of the footage. From that, you can reset it to whatever framing you want.

    Walter Biscardi, Jr.
    https://www.biscardicreative.com
    HD Editorial & Animation for Food Network’s “Good Eats”
    HD Editorial for “Assignment Earth”

    “I reject your reality and substitute my own!” – Adam Savage, Mythbusters

  • Accountneedsrealnameupdate

    March 13, 2007 at 11:53 pm

    Thanks
    I was actually using DV NTSC as an example. My final output will be Digitbeta or BetaSp (not sure yet), so I will be creating a 8bit uncompressed timeline at the end of my project to export the baby.
    So I’m glad FCP will do that…I tried a simple export using QuickTime from DVCPRO HD to DV NTSC Widescreen, and there was some very visible squeezing…

    Thanks
    Alex

  • Chris Borjis

    March 14, 2007 at 12:29 am

    I’ve been testing a number of downconversion techniques from
    HD to SD and I have found that nesting your HD sequence into an
    uncompressed 10 or 8-bit SD sequence, then exporting to compressor
    yields the highest quality.

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