Enrique,
This is one of those instances in life where what you’re thinking is very logical, but nonetheless, you need to modify your thought process. And, what I’m gonna say doesn’t just apply to Resolve, you should apply to every video editing, compositing, color app, etc.
I want you to think about what you’re editing on the timeline as your master… And, it should be edited in a timeline with the appropriate sequence settings you’d choose if you were going to create a master that is going to be your best and only copy you’ll ever need. It doesn’t have to your last copy, that’s just so that you’ll get the editing idea that I’m promoting…
I any case, once you’re done editing the timeline with the sequence settings you need for your master, render it, then export a master at the same settings. Now, use that master in any other app you want to create whatever other deliverables you need.
You’ll not lose a generation this way, believe it or not, it’s faster than exporting to a non-matching codec from the timeline, and you can use the master in any app that gives you the settings or codecs you need. Plus, encoding from the master in another app will not tie up Resolve, allowing you to do other work while the encoder does its job in the background.
David Roth Weiss
Director/Editor/Colorist & Workflow Consultant
David Weiss Productions
Los Angeles
David is a Creative COW contributing editor and a forum host of the Apple Final Cut Pro forum.