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Dealing with slow motion footage in a 1920×1080 sequence
Posted by Enrico Lappano on March 6, 2011 at 11:41 pmOn a 30p ProRes 1920×1080 sequence, what should I do with 7D slow motion ProRes footage that is 1280×1080? For highest quality after conforming it to 29.97 in Cinema Tools, should I leave it at 150% or up scale it to 1920×1080 for the edit? What is the best workflow?
Any help is much appreciated.
Enrico Lappano replied 15 years, 2 months ago 4 Members · 10 Replies -
10 Replies
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Jason Brown
March 7, 2011 at 1:24 amI’m guessing u mean 1280×720, not 1280×1080?
I can’t help much with ur workflow, I just wanted to add in a tidbit of information. The 7d shoots at 720 60p not as “slow motion” but as a format. You can interpret it into slow mo, but 1280×720 at 60 fps is a broadcast format.
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Daniel Frome
March 7, 2011 at 2:35 amYou’re correct. Just place the 720 60p (which you’ve now conformed to 29.97) into your 1920×1080 timeline and scale it up. That’s the correct move.
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Enrico Lappano
March 7, 2011 at 2:47 amThanks for the tip and reminder Jason. Sorry, I meant to say 1280×720.
The 7D 60p footage happens to fit great as slo mo in this 30p sequence. Wondering if anyone has suggestions about a good workflow alongside 1920×1080 7D material?
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Enrico Lappano
March 7, 2011 at 3:00 amThank you Daniel.
Could it make any appreciable difference in quality if I change the scale in Compressor or go up to 150% directly in FCP?
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Rafael Amador
March 7, 2011 at 10:37 am[Enrico Lappano] “Could it make any appreciable difference in quality if I change the scale in Compressor or go up to 150% directly in FCP?”
For an up-scaling I would rather go Compressor (Frame Control ON, Best Resize).
If you try in FC, set “Render Motion Effects: BEST”.
rafael -
Enrico Lappano
March 8, 2011 at 3:38 pmIn general, to get a slow motion effect in FCP using a Canon 7D, is there any difference between filming in 60p 1280×720 and upscaling it to 1920×1080, or filming at 30p 1920×1080 and slowing the footage down?
Which, if either, would give the better final result in a 30p 1920×1080 ProRes sequence?
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Jason Brown
March 8, 2011 at 7:13 pm[Enrico Lappano] “filming in 60p 1280×720”
This gives you more temporal information. Basic NLE software does a pretty good job of interpreting scale…but you it takes really good software (and good source material) to interpret the non-existent information between frames.
You should shoot at 60 frames and scale up…slowing 30p down will just simply play a frame less often…unless you’re using a plug-in like twixtor or something (which I’ve not used).
-Jason
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Rafael Amador
March 9, 2011 at 1:58 am[Enrico Lappano] “In general, to get a slow motion effect in FCP using a Canon 7D, is there any difference between filming in 60p 1280×720 and upscaling it to 1920×1080, or filming at 30p 1920×1080 and slowing the footage down? “
The more images per second you shoot, the best.
To get a good 1080 slow-mow, you go to 720p60 and upscale, or you shoot 1080i60, and you get the 1080p60 from there (FieldsKit).
rafael
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