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Dealing with free-run timecode tapes for multi-cam shoot
I read all the posts I could find on this subject and they all pretty much say the same thing: dub the tape for continuous TC.
Problem is, this is a multi-cam shoot, so we need to keep the free-run TC intact for matching later on. Just wondering how other FCP editors have dealt with this kind of scenario.
It wouldn’t be so bad if the cameras weren’t starting and stopping every few minutes. I’ve got FCP set to create a new clip at each break and it seems to do a pretty good job with it. I was afraid of the frame accuracy when FCP does this, but did some spot-checks and the TC appears to be solid. Then, I go back and manually increment the Reel #’s (001a, 001b, etc) for recap’s.
Any better way to do this? Or am I on the right track?
Thanks for any tips.
Ronald J.