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Dead Line Looming with Proxy Drama!
Good morning all,
I am in the process of producing some sequences containing only animated high res. (3072×2048) stills for NTSC broadcast being final delivery. Because of the massive file sizes involved and all those pixels I have spent many days developing what I thought to be a bullet proof workflow creating proxies in AE from the full res still sequences, editing with those proxies in Premiere Pro, Importing the Prem. Pro. Project back into AE, removing proxy and telling AE to replace proxy movie files with the original full res. comps, square to 0.9 pixel conversion and resizing to 720×480 then rendering.
This all works well except for situations where I have
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