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  • Oliver Peters

    December 2, 2011 at 10:56 pm

    [Jeremy Garchow] “kinda milky in the edges, tons of inescapable noise”

    Is HDR turned off? I assume you’ve done a nice color pass in Redcine-X or something.

    [Jeremy Garchow] “you then have to fill the frame from 850 vertical to 1080 vertical”

    They should be shooting in one of the 16×9 settings and not RED’s goofy 2:1. I’m assuming that’s available in the cranked speeds.

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Jeremy Garchow

    December 2, 2011 at 11:01 pm

    [Oliver Peters] “They should be shooting in one of the 16×9 settings and not RED’s goofy 2:1. I’m assuming that’s available in the cranked speeds.”

    Not @ 300fps. 4k will do 16×9 @ up to 120.

  • Oliver Peters

    December 2, 2011 at 11:05 pm

    [Jeremy Garchow] “Not @ 300fps”

    Oh well. Make it sepia and add lots of film grain and scratches 😉

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Jeremy Garchow

    December 2, 2011 at 11:06 pm

    [Oliver Peters] “Oh well. Make it sepia and add lots of film grain and scratches ;-)”

    Ha! yeah, i’m sure the clients will love that idea.

  • Jeremy Garchow

    December 3, 2011 at 11:16 pm

    We are back to Alexa. 🙂

  • Oliver Peters

    December 4, 2011 at 12:02 am

    [Jeremy Garchow] “We are back to Alexa. :)”

    Cool. What changed things?

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Jeremy Garchow

    December 4, 2011 at 12:26 am

    We originally wanted Alexa, but the scripts call for specific slow motion.

    We couldn’t find a Phantom in the area of the shoot location, so looked at Epic.

    After the 300fps test, we decided that 120 on an Alexa might just work after all. The post will be less painful and the DP thinks the shoot will be a bit smoother as well. I’m really looking forward to it.

    Not to mention, I tried transcoding our test footage and RCX and RCX Pro kept crashing. It brought back awful memories.

    I should add that After Effects CS5.5 crunched through no problem with the Epic beta components.

  • Oliver Peters

    December 4, 2011 at 12:50 am

    Are you cutting on FCP X and are you using the Pomfort filter?

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

  • Jeremy Garchow

    December 4, 2011 at 12:54 am

    No X on this one, although I’d really like to.

    I’m using the GlueTools filter, actually. The importer is great.

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