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Activity Forums Adobe After Effects creating a matte from motionpath

  • creating a matte from motionpath

    Posted by Frank Feijen on August 2, 2006 at 7:23 am

    I have an animated bee flying trough my comp, i would like to see some distortion happening wherever the bee passes. So i would need a matte that grows from behind the bee and fades away in time.

    Any clues to how this can be accomplished without manually drawing and animating a mask?

    Frank Feijen replied 19 years, 9 months ago 4 Members · 5 Replies
  • 5 Replies
  • Ben The camera guy

    August 2, 2006 at 8:55 am

    do you have a particle generator (like particular?). If so, you can animate the emitter position property, copying the bee location to this property, then bring it into your bee comp as a luma matte to an adjustment layer with a blur on it…this way the blur is only seen when the particles from the emitter are there…pm or email me if this explanaton confuses you…

  • Fabiano Peres

    August 2, 2006 at 12:17 pm

    You can also use the write-on effect to revel the layer you want, take a look at this video turorial, it’s really worth. https://forums.creativecow.net/cgi-bin/page_wrapper.cgi?forumid=2&page=https://www.creativecow.net/articles/hansen_jaysen/growing/index.html

    I hope it helps

  • Fabiano Peres

    August 2, 2006 at 12:32 pm

    Sorry, I mean “Reveal”

  • Nicholas Toth

    August 2, 2006 at 2:41 pm

    If you have the new particular, set up a light to follow your bees exact position, and then use the MOTION PATH option.
    The particles will follow the bee, and if you set the life properly, they will dissolve through time.

    If the comp is only 2d (3d won’t work), then I’d say use a null and some simple pickwhip expressions so the nulls position is EXACTLY the same as the bees, and then keyframe assistant/convert expression to keyframes. Select all of those keyframes and copy them. Create a new layer the size of your composition, and use the pen tool to make a SINGLE point. Bring up your mask options and place a keyframe on ‘mask shape.’ Select the keyframe, and then paste the keyframes from the position. I’d say use vegas to make a flowing trail behind it, use it as an alpha, a glow trail, whatever you want, but most importantly just for reference behind the bee.

    I’m sure this could be done about fifty different ways, but thats my approach.

  • Frank Feijen

    August 2, 2006 at 2:44 pm

    Thanks guys, i haven’t got particular but got it to work with CC particle system II.

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