Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy Correct broadcast safe filter for this setting (Max 75 % chroma)

  • Correct broadcast safe filter for this setting (Max 75 % chroma)

    Posted by Anders Haavie on May 16, 2007 at 11:56 am

    We are finishing a tvshow and have received technical check list from the broadcaster.

    Chroma lvl – max 75 %
    Video lvl – max 100 %

    What is the correct setting in the broadcast safe filter for this ? Is it this ??

    Luminance limiting:
    Max output: 100

    Saturation limiting:
    Reduce chroma/luma: 75

    Why does it say BOTH chroma/luma and not only chroma ?

    This is in PAL land by the way.

    Anders

    Russell Lasson replied 19 years ago 4 Members · 5 Replies
  • 5 Replies
  • Walter Biscardi

    May 16, 2007 at 12:01 pm

    [Anders Haavie] “Saturation limiting:
    Reduce chroma/luma: 75

    Why does it say BOTH chroma/luma and not only chroma ?”

    This really doesn’t work. You need to set Chroma manually. Just look at your Vectorscope and stay inside the boxes.

    Walter Biscardi, Jr.
    https://www.biscardicreative.com
    HD Editorial & Animation for Broadcast and independent productions.

    All Things Apple Podcast! https://cowcast.creativecow.net/all_things_apple/index.html

    Read my blog! https://blogs.creativecow.net/WalterBiscardi

  • Anders Haavie

    May 16, 2007 at 1:18 pm

    Thanks for the info. So chroma must be done manually, but luma works, yeah ??

    Anders

  • Simon Blackledge

    May 16, 2007 at 3:09 pm

    If going SDI in and out.. how accurate are the fcp scopes? Or should you have the hardware really ?

    P

  • Walter Biscardi

    May 16, 2007 at 3:22 pm

    [Anders Haavie] “Thanks for the info. So chroma must be done manually, but luma works, yeah ??”

    Yes, although you really want to adjust that manually first to get it close before applying the Broadcast Safe Filter because you can get some ugly clipping if you don’t. Say a shot is at 115 IRE and you just throw the Broadcast Safe Filter on it, you can get some ugly solarization type of clipping in the overly hot spots. Bring that down to 100 IRE first, then apply the Broadcast Safe just to knock any small spikes that exceed 100 and you’ll get a good clean image.

    Walter Biscardi, Jr.
    https://www.biscardicreative.com
    HD Editorial & Animation for Broadcast and independent productions.

    All Things Apple Podcast! https://cowcast.creativecow.net/all_things_apple/index.html

    Read my blog! https://blogs.creativecow.net/WalterBiscardi

  • Russell Lasson

    May 16, 2007 at 6:25 pm

    You should also be aware of how FCP is measuring the video. There were some updates to the vectorscope from 5.0 to 5.1 that you should understand.

    To find this info, in FCP, click on Help – Late-Breaking News. It’s on page 6 if you have FCP 5.1.

    Even at that, if you’re delivering on tape, the only way to be sure that you are in broadcast safe is to measure the video on hardware scopes from the tape master you made.

    Best of luck!

    -Russ

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy