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convert LIN footage to cLOG
Any thoughts on getting my graphics/rec709 material into a cLOG comp. I am delivering some c500 LOG renders and I want the sRGB and rec709 elements/monitor content, to live in cLOG. LOG in LOG out, all comped footage converted to cLOG. Thanks!
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3 Replies
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Enable color management, make sure that you’ve set the interpretation of each footage item to match its color space, and you should be good to go:
https://help.adobe.com/en_US/aftereffects/cs/using/WS61A9D13D-919A-4010-A3A2-00477A81FDB0a.html———————————————————————————————————
Todd Kopriva, Adobe Systems Incorporated
After Effects quality engineering
After Effects team blog
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Do you see anything in Color Management that refers to my question about cLOG? I am looking to see if this answer pertains to my hopes in getting this to work. I am still stuck looking for a solution to convert sRGB / Rec 709 materiel to cLOG so I can comp it into footage that was shot in cLOG.
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Canon released a LUT in CSV format. Andy Shipsides from AbelCine has converted the Canon LUTS to more useful formats [link]. If you use one of the 1D LUTs, you could invert it.
The Canon original LUT looks to me like it will clip quite a bit, so I’m not sure how successful this will be, and I don’t have any Canon log footage to test it with.
Walter Soyka
Principal & Designer at Keen Live
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
RenderBreak Blog – What I’m thinking when my workstation’s thinking
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