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Activity Forums Adobe Premiere Pro Conversion Settings for old HVX200 footage for use in Premiere Pro 2020

  • Conversion Settings for old HVX200 footage for use in Premiere Pro 2020

    Posted by Sean Welski on October 23, 2020 at 7:27 pm

    Hi all,

    I have some footage shot on an HVX200 that I’d like to revisit and cut in Premiere Pro 2020. Unfortunately, from another project I have experienced crashing cutting HVX200 footage, and I’d like to do a full transcode of the footage before I bring it into PP just to be safe. Can you tell me?:

    What codec do you recommend?

    What settings do you recommend? Are there any settings I should watch out for/keep in mind when transcoding?

    Thank you!

    Here is what Finder tells me about my footage:

    Dimensions: 960×720

    Codecs: Timecode, DVCPRO HD (720p60)

    Color Profile: HD (1-1-1)

    Here is what Premiere Pro 2020 tells me about my footage:

    File Path: 000224.MOV

    Type: QuickTime Movie

    File Size: 2.63 GB

    Image Size: 960 x 720

    Frame Rate: 23.976

    Total Duration: 00:08:09:00

    Pixel Aspect Ratio: 1.3333

    Alpha: None

    QuickTime Details:

    Movie contains 1 video track(s), 0 audio track(s), 0 closed caption track(s), and 1 timecode track(s).

    Video:

    There are 11736 frames with a duration of 125/2997ths.

    Video track 1:

    Duration is 0:08:09:11

    Average frame rate is 23.98 fps

    Video track 1 contains 1 type(s) of video data:

    Video data block #1:

    Frame Size = 960 x 720

    Compressor = DVCPRO HD (720p60)

    Quality = Most (5.00)

    Timecode:

    Timecode track 1 contains 1 type(s) of data:

    Timecode data block #1:

    Start Time = 06:54:41:08

    Reel name = NO NAME 1

    ————————————

    Thanks so much. Any tips/guidance would be highly appreciated.

    Best,
    Sean

    Bret Hampton replied 5 years, 6 months ago 2 Members · 1 Reply
  • 1 Reply
  • Bret Hampton

    October 23, 2020 at 7:37 pm

    Hi Sean

    Accepted practice for many of us is to transcode to ProRes, Avid DNx or Cineform. Those play smoothly pretty much regardless if source is DVCPro, H264, etc.

    Files will be bigger, but that’s because they’re designed to work well in PP, Avid, etc.

    I also suggest you join the Facebook group Adobe Premiere Pro Editors. Lots of savvy folk there who’ll usually get back to you quickly.

    https://www.facebook.com/groups/adobepremierepro

    Bret

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