contract camera movement

[Kalleheikki Kannisto]

You don’t need to get rid of the camera movement to compose with another clip. You can track the camera motion and then make the composited layer(s) follow the tracking data.

Kalleheikki Kannisto
Senior Graphic Designer

[Ali Brakat]

yes that’s what I want to do
when I track the 3d space I want the point that’s tracking the camera movement to be used to transform the clip to get rid of camera ban check this comp
https://ibb.co/dimGSo

I am blending the shot into the comp so when there is a camera ban it’s visible if I can get rid of it perfectly it would be much better than keyframing the clip to get rid of the ban

in other words, I want the soldiers to be walking on a still background be reversing the camera motion,
What do you think?

[Ali Brakat]

I don’t want to track an element into the clip but I want to use the clip itself as an element in my comp
https://ibb.co/dimGSo
the movement of the background makes the blend visible and I can’t key it properly to be completely visible without a rotoscope which what I am trying to avoid 🙂

[Daniel Waldron]

So you want to stabilize the shot of the soldiers and composite it onto the other shot? To stabilize a shot in After Effects, you can use the Stabilize Motion button in the Tracker. Or you can track a point using the Track Motion button (or points), apply the track to a null object, and parent your layer to that null.

However, in the panning shot you showed, there is only a small part that is in both the beginning frame and end frame. Taking out the motion would involve zooming in probably over 500%, which would make the shot unusable in many ways.