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Activity Forums Creative Community Conversations Connected clip features needed

  • Connected clip features needed

    Posted by Oliver Peters on September 9, 2014 at 12:37 am

    1. Tidy-up command. Especially for connected audio clips. Automatically snugs clips up into available empty space under the primary storyline.

    2. Command to automatically move connection point of a connected clip from the start frame to the middle of primary storyline clip. Should be selectable for all clips or selected clips.

    3. Preference setting or command to add a connected clip to the highest level of clips. Sometimes a connected clip goes in the middle or underneath of other clips when it should be on top.

    4. Keystroke to move a connected clip up or down by one clip (swap underneath or above) or all clips.

    5. Sync-locking relationship or sync offset indicators between primary storyline clip and its connected clip(s).

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

    Oliver Peters replied 11 years, 8 months ago 4 Members · 4 Replies
  • 4 Replies
  • Dave Jenkins

    September 9, 2014 at 4:39 am

    Great list, all would be helpful.

    Dajen Productions, Santa Barbara, CA
    Mac Pro 3.5MHz 6-Core Late 2013
    FCP X

  • Richard Herd

    September 9, 2014 at 4:40 pm

    5. sync-locking relationship…

    How is that different than a compound clip?

  • Jeremy Garchow

    September 9, 2014 at 4:58 pm

    If the connected clip is a storyline, it’d be nice to be able to select the storyline shelf and do things to all the clips within it, like add effects, remove effects, adjust Roles, edit, etc.

    There also needs to be a way to be able to select connecteds with the keyboard, and better keyboard controls to edit/target/ connecteds with the keyboard or modifiers.

  • Oliver Peters

    September 9, 2014 at 5:08 pm

    [Richard Herd] “5. sync-locking relationship…
    How is that different than a compound clip?”

    Because you don’t necessarily want to use compound clips. They often don’t work when you translate to other software. If you have an entire long form timeline with connected audio clips, you don’t want to go through each combination one at a time and create compounds for each.

    The problem is that it’s incredibly easy to have sync get shifted via trimming and you’ll never know it unless you carefully check each time.

    – Oliver

    Oliver Peters Post Production Services, LLC
    Orlando, FL
    http://www.oliverpeters.com

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