-
Comprehensive List of Premiere Pro’s new features.
-
It gets even better than that…. Lets see if this workflow sounds familiar.
You have project A and I have project B.
I browse into your Project B on a network drive and look into a bin.
I can grab the masters and load them into my source monitor with your ins/outs and edit into my sequence
If you update your project my mediabrowser will update with your changes.
Also since we don’t duplicate masters it is really easy to setup a workflow here.Looking forward to hear from you guys after you play with this.
Cheers
Dave
———————————————————————————————————
David McGavran, Adobe Systems Incorporated
Senior Engineering Manager Adobe Premiere Pro
——————————————————————————————————— -
[David McGavran] “Looking forward to hear from you guys after you play with this.”
https://www.youtube.com/watch?v=JQCP85FngzE
Can’t wait! 😉_______________________
David Lawrence
art~media~design~research
propaganda.com
publicmattersgroup.com
facebook.com/dlawrence
twitter.com/dhlSome contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.
-
dave – seriously.
https://www.youtube.com/watch?feature=player_embedded&v=JQCP85FngzE
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
-
Does the playhead now snap to the cut point after doing a Ripple? It’s small but it has always bugged me since leaving FCP7. It makes the most sense because after doing the trim and hitting Play Around, I want it to play around that cut and not the middle of the clip.
-
Does the playhead now snap to the cut point after doing a Ripple?
I hope so, it would be a big time saver. Overall very happy with the new features though, and I know it’s been said before but the fact that people from Adobe actually interact with this forum certainly helps with confidence and trust in the product.
-
▪ GPU-accelerated Wipe and Slide transitions
FINALLY!!!! -
Really sad / odd they haven’t done anything with the scopes. A vital tool few (any?) NLE does really “right”. FCPX’s looks great, not sure about their accuracy though, FCP7 looked ok but where quite buggy. PrPro CS6 I can’t comment on accuracy but boy do they look like a sad panda.
-
While the look of a software scope might be important subjectively to the end user, it’s the accuracy of the scope which matters. I’ve been trying to find some information on the web with regard to WFM accuracy in software, and it seems to be all over the place. I did find a very interesting article by a colorist, who proposed that the graticule (overlay on the WFM display) is no longer relevant in the digital world:
https://vanhurkman.com/wordpress/?cat=10
And coming from broadcast, we never trusted anything but a hardware scope, but of course, that’s only relevant when you’re outputting for broadcast. I had read that the Premiere Pro (this was back in CS4) scopes only used a very limited section of the clip to read levels, and I’ve also read that FCP earlier versions only used the safe portion of the signal. Has anyone done any real research into the accuracy of these scopes?
Joe Bourke
Owner/Creative Director
Bourke Media
http://www.bourkemedia.com -
[Joseph W. Bourke] ” Has anyone done any real research into the accuracy of these scopes?”
A good question. It would be nice to hear someone from Adobe on the subject.
BTW there are new scopes in Speedgrade. Check out Patrick Palmer’s overview
https://success.adobe.com/en/na/programs/events/1303_30759_nab.html?sdid=KEYJL
You’d think that those scopes would be as accurate as any. Maybe Patrick should be asked on the Speedgrade forum.
David
AllinOneFilms.com -
Do lists of new features for FCPX appear in the Premiere forum?
Reply to this Discussion! Login or Sign Up