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Color Management and S-log woes
Hey all, I’m working with some S-log footage coming from an FX6.
In Premiere, the footage looks hyper saturated and contrasty with no color correction applied at all. However, if I bring that same clip into After Effects, it looks very flat like S-log should.
I’ve tried changing sequence settings from REC 709 to REC 2100 HLG, but the export still looks horrendous. I’ve also tried going to the general settings tab within Premiere and selecting “Display Color Management”.
Can anyone clue me into what I’m doing wrong and why these applications are so vastly different?
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