Color Correction Strategy

[Chris Wright]

use RGB parade.

I’ve always felt that it’s best to set the black and white points, and gamma, prior to attempting any color correction, including white balancing.

I’m sure there are images out there where it’s better to use a different order, but I find that getting the overall tonal range of the image right makes any color cast or color temp issue easier to see and therefore get correct.

https://technicolorsoftware.hostzi.com/

[Max Jackson]

Right, but beyond software what process is used step-by-step to get the job done?

Is color artistry just a “that looks like it needs/has too much…” kind of process?

When one color matches for compositing they handle contrast, each color RG and B, and then highlights etc.

But you can’t do that in straight color correction because there’s nothing to compare it too?

Is there no standard technique for this process?

Thanks for the link though, I’ll check out RGB Parade.

[Max Jackson]

Okay, so learning color correction really is like using a ruler.

It’s just getting to know the tools “Vectorscope and Waveform Monitor” and that = color correcting?

K, I’ll look into Vectorscope and Waveform Monitor process.

Thanks Mr. LaRonde.

[Max Jackson]

ohhhh, okay. That’s what people mean by first and secondary CC.

But in the primary, how do I know all colors are the same? I just go be a vectorscope and if so what’s ballpark?

Where can I learn what people see on a daily basis? I wish there was an online tutorial just showing common every day CC process using After Effects. That is primary CC. So glad to know that term.

Thanks Mr. LaRonde! 😀

[Todd Kopriva]

> I wish there was an online tutorial just showing common every day CC process using After Effects.

There’s an entire chapter on color correction in After Effects by Mark Christiansen linked to from
here?

A whole lot of resources come up in this search?

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Todd Kopriva, Adobe Systems Incorporated
Technical Support for professional video software
After Effects Help & Support
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