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China? Yeah, China for gods sake.
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[Aindreas Gallagher] “Ah yes that’s right – the unhinged little posse of FCPX devotees making slick edits two times faster than their grandparents on rad rad rad FCPX.
“Well you are quite right there.
I don’t ever hear Premiere Pro or AVID editors talk like that…
Know someone who teaches video editing in elementary school, high school or college? Tell them to check out http://www.StartEditingNow.com – video editing curriculum complete with licensed practice content.
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Sorry, saw the avatar next to your name and presumed as with most here it was there to represent you. You know, because the image is next to your name. Anyway, she’s cute.
And it seems jobs in X are popping up regrlarly. Just not as much in the U.S. as globally.
That pesky globalization of opportunity and all. Go figure.
Know someone who teaches video editing in elementary school, high school or college? Tell them to check out http://www.StartEditingNow.com – video editing curriculum complete with licensed practice content.
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[Bill Davis] “And it seems jobs in X are popping up regrlarly. Just not as much in the U.S. as globally.
That pesky globalization of opportunity and all. Go figure.”
Well it gets used everywhere but as far as advertised jobs go is there anywhere where its the program most requested? Can we find a page of classified ads where there are more companies asking for editors with FCX skills than Premiere and AVID?
Just going through classifieds ads here in Australia. Found about 30 video editing job ads. Half of those didn’t specify the tools. The other half demanded Premiere. No FCX. But no AVID either which I found interesting. At least in this part of the world the battle for the program the jobbing editor needs to learn has been run and won I’d say.
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Hey Darren,
Can you drop me an e-mail, I would like to know more about your experiences with this project: ronnycourtens@mac.com
– Ronny
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[David Cherniack] “If you’re trying to sync using only audio waveforms it would need properly selected tracks with clearly defined signals to find the matches. But it typically works well.
It’s a longstanding problem about importing some Red folders. Clips with multiple 4GB segments are created created correctly but with duplicates. The Media Browser imports folders with single segments without problem.
“The R3Ds have one channel and the WAVs from Sound Devices had 4 to work with.
Tried all options.
PluralEyes had issues too but I think more so with RED files.
Okay well as far as the Media Browser I have to go with what the norm is.
If Avid and FCPX can handle the files why cant Adobe? I mean sure I can import it all in AE then do DL but thats just silly now.
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