Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy Cheap raid solutions for HD work

  • Cheap raid solutions for HD work

    Posted by Anders Haavie on May 27, 2006 at 5:51 pm

    A friend of mine needs to edit some HD stuff. He need some cheap raid solutions…. He is mostly working on non critical stuff and small projects that lasts only a couple of weeks, so he doesn’t need expensive harddrives that are built to last..

    Any ideas ??

    Anders

    Gary Adcock replied 19 years, 11 months ago 6 Members · 8 Replies
  • 8 Replies
  • Anders Haavie

    May 27, 2006 at 5:57 pm

    ooops.. Forgot to say that his work is mostly on concerts, and I guess he will be having maybe 10 hours of hd material in any project (5 iso cameras running all the time.. Working with multicam)

    Anders

  • Drizzt_g

    May 27, 2006 at 7:18 pm

    Cheap Raid for HD. If you find one, tell us. The only way you can save money is if you build a raid from scratch.

  • Anders Haavie

    May 27, 2006 at 7:57 pm

    Came across this link in this forum

    https://www.transintl.com/store/category.cfm?Category=2490

    Maybe this one is ok for my HD work.. looks like it can handle 7 real time streams of 8bit uncompressed…so I guess my dream of having 5 HD streams will not work under any circumstances.

    Anders

  • Ben Holmes

    May 27, 2006 at 8:40 pm

    Working with HDCAM? 10 hours storage will require a 2-3TB array. Not cheap. Working in HDVCPro will only need a few hunded gig and you could use a firewire 800 drive.

    If you need to work in uncompressed 10-bit HD, you need dual-scsi or fibre-channel. Forget about 5 streams, you MIGHT manage 2 – unless, again, you work in HDVCPro (which looks suprisingly good).

    For a FC or SCSI solution, go to Medea, Huge or Atto. Probably be looking at around $2500-$3500. There really are no shortcuts, faster drives cost money, and hardware raid systems are faster and more reliable IMHO. Or $500 for a g-raid using fw800 and (you guessed it) HDVCPro. If you’re doing a 5 camera HD Cam shoot, I would suggest that a few thousand dollars on a reliable disk array is money well spent…

    Ben

    Editec Broadcast Editing Ltd
    EVS & FCP specialists for live OB operations.

    Producer/Director “The Supercar Run” now available for international distribution from http://www.electricsky.com

  • Anders Haavie

    May 27, 2006 at 8:50 pm

    This will be national broadcast stuff, and I think they only have HDCam. I guess editing in offline will be the solution, and then doing online after the editing. .. Oh well, I guess it will only take another 5 years before edititing HD will be piece of cake

  • Michael Sacci

    May 27, 2006 at 9:37 pm

    I’m editing 8 concerts shot with (6) HDCAM and I’m editing with multicam with the footage captured as DVCProHD. I built my own Raid system with SATAII drives and cards. Sonnet Fusion 400 enclosure with (4) 300 GB drives and I just swap out drive sets when one is close to 70% full. I get 250Mb/s read speed and have no problem pulling the 6 streams. Of course you put 500 or 750 drives if you need more capacity at a time.

    If I wanted to I could recapture the show in HDCAM while picture was locked as Uncompressed HD and everything would work fine.

    NOTE: 2hrs of 10 Bit HD would be about 1.2 GB.

    So it is all doable, for about $1500 you can make it work.

  • Andy Edwards

    May 28, 2006 at 3:41 am

    [sacci] “NOTE: 2hrs of 10 Bit HD would be about 1.2 GB.”

    Do you mean 1.2TerraBytes? And is that DVCPRO HD? Just wondering

    Andy

  • Gary Adcock

    May 28, 2006 at 2:06 pm

    [Andy Edwards] “[sacci] “NOTE: 2hrs of 10 Bit HD would be about 1.2 GB.”

    Do you mean 1.2TerraBytes? And is that DVCPRO HD? Just wondering”

    1080i 29.97 10bit + 4 tracks of audio is 3 Terrabytes Per Hour

    1080i 29.97 DVCPROHD + 4 tracks of audio is 53 Gigabytes Per Hour

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows
    Chicago, IL
    gary@studio37.com

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy