Activity › Forums › Adobe Premiere Pro › Changing footage to slow-mo makes the quality terrible. Why?
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Changing footage to slow-mo makes the quality terrible. Why?
Posted by Accountneedsrealnameupdate on August 4, 2006 at 6:35 pmWhen I change the footage to 50% or less duration for slow motion why does the footage quality get real bad? Like if you pause it you can see double of some elements and the overal quality is just either blurry or poor. Is there any way to get high quality slow motion?
Shawn michael Lee replied 19 years, 9 months ago 6 Members · 7 Replies -
7 Replies
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Pedigree-punk
August 4, 2006 at 7:00 pmHi Tommmm,
Decent slow motion effects require quite sophisticated frame blending – which you can only get with compositing apps like Boris Red & After Effects. In an editing app like Premiere Pro it’s usually a pretty hit and miss affair…usually miss…depends a lot on the source footage and the percentage of slow down you go for.
Timmmm
The destination is not important..its the journey that matters.
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Aanarav Sareen
August 4, 2006 at 7:19 pm[tommmm] “Is there any way to get high quality slow motion?”
In Premiere Pro? No. I would take a look at a few posts down that discuss this exact same topic and a few other alternatives.
Aanarav Sareen
premiere@asvideoproductions.com -
Tclark
August 4, 2006 at 10:01 pmIf I shoot at a 120 shutter and slow my footage down 50 percent and then deinterlace it. I can get pretty good results. By doing this you are getting back to 1/60 where dv should be shot at for maximun results.
If this is not good enough try using after effects if you have it. It does a much better job.
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Accountneedsrealnameupdate
August 4, 2006 at 10:44 pmdoes AE automatically do a better job? Or do I need to apply certain filters/effects?
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Aanarav Sareen
August 5, 2006 at 4:50 amDefine “automatically”. After Effects has a feature called Time Remapping, that does a great job.
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Peter Corbett
August 5, 2006 at 10:29 pmAs mentioned in a few threads below, the PPro plugins, Twixtor or Boris Continuum Optical Flow will do ramping and super-slomo within a clip directly on the PPro timeline. You can get some “distortion” depending on the image material and movement within the shot.
Peter Corbett
Powerhouse Productions
Australia
http://www.php.com.au -
Shawn michael Lee
August 6, 2006 at 2:09 pmAnd let’s not forget the new Pixelmotion setting in AE 7. I have used it with amazing results in ordinary DV and DVCAM footage.
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