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change cameras on long-term project?
For the last five years I’ve intermittently documented a subject on my HVX 200 @ 720, 24PN. I’ve been happy with the look, but as time has passed, of course, much has changed and audiences are now used to 2k, even 4k.
I don’t think I should change cameras at this point, but it now looks as if funding is likely to pull our footage together into a documentary, and it’s made me wonder again if maybe a better camera would be worth the risk of trying to intercut all the 720 footage with the newer.
I’d love to hear from anyone experienced with this challenge.
GW
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