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Activity Forums Apple Final Cut Pro Legacy center cutting SD anamorphic footage

  • center cutting SD anamorphic footage

    Posted by Jeremy Doyle on May 2, 2006 at 8:25 pm

    I have DVCAM footage shot 16×9 with a DSR-500. I can work fine with it in an anamorphic sequence then when I put it into a 4×3 timeline it automatically makes it letterbox. How do I do a center cut without having to scale the image up 33 percent?

    Thanks in advance

    Jeremy

    fcp 5.0.4
    dual 2.0
    4 gigs ram
    kona 2

    Matt Sandström replied 20 years ago 5 Members · 6 Replies
  • 6 Replies
  • Shane Ross

    May 2, 2006 at 8:29 pm

    There is a video tutorial on how to do this called Multi Aspect Ratios found here:

    http://www.proapptips.com/captmench

    Shane

    Alokut Productions
    http://www.lfhd.net

  • Jeremy Doyle

    May 2, 2006 at 9:53 pm

    I watched the video and it told me to scale the video to 133. I revert to my orginal question – Is there a way of doing a center cut of anamorphic footage without scaling? I’m assuming the scaling affects video quality.

    When you drop 4×3 into the 16×9 it automatically pillars it and when you put 16×9 into the 4×3 it automatically letterboxes it. If I take my anamorphic footage out of my deck I can crop which leaves me with full 4×3, but than I don’t have pan and scan. Is there a way to make my anamorphic footage pan and scan instead of letterbox without scaling?

  • Aaron Neitz

    May 2, 2006 at 11:49 pm

    The only way is to 133% it. But it’s not really “scaling” it up. You’ll notice that interlace stays on fields and if you were to crop in AE and do a comparison, it should be full res in FCP even with 133. Then you can pan/scan with the X motion tab. At least, that’s what we’ve done on the last couple anamorphic projects. Looked pretty good on a BVM.

  • Ben Holmes

    May 3, 2006 at 4:12 pm

    You could achieve the same thing as follows:

    Drop the footage onto the timeline.
    Leave the scale setting to 100.
    Open the ‘distort’ section on the motion Tab.
    Set all the figures in the Upper/Lower/Left right boxes as follows:
    -480, -288
    480, -288
    480,288
    -480,288

    Finally, set aspect ratio setting below to 0. (It’s normally -33 for anamorphic footage).

    This MAY cause the footage to be rendered differently/better, as in effect you are stretching rather than zooming, but I doubt it’ll look any different – FCP is probably misleading you with the 133 scale figure in reality, as it re-frames the anamorphic footage. Let us know!

    Ben

    Editec Broadcast Editing Ltd
    EVS and FCP specialists
    Current Mac systems All Dual 2.7Ghz with Kona 2 and Digital Voodoo cards, 6Gb Ram, Sapphire, SCSI320 Medea and Huge Arrays.

    FCP projects include Sky TV coverage of the Ryder Cup and US Open Golf – Live OB specialists. Edit/slomo vehicle.
    http://www.editec.co.uk

  • Ben Holmes

    May 3, 2006 at 4:17 pm

    You know, just tried a render based on my bizarre advice, and it looks a bit worse than the 133 scaled footage – plus it actually NEEDS rendering on my PB.

    That may be the most pointless work-around ever posted!

    Ben

    Editec Broadcast Editing Ltd
    EVS and FCP specialists
    Current Mac systems All Dual 2.7Ghz with Kona 2 and Digital Voodoo cards, 6Gb Ram, Sapphire, SCSI320 Medea and Huge Arrays.

    FCP projects include Sky TV coverage of the Ryder Cup and US Open Golf – Live OB specialists. Edit/slomo vehicle.
    http://www.editec.co.uk

  • Matt Sandström

    May 5, 2006 at 3:40 pm

    [Ben Holmes] “That may be the most pointless work-around ever posted!”

    haha, yeah but if somebody needs a workaround that badly why not let them. 🙂

    /matt

    https://www.mattias.nu/

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