Activity › Forums › Apple Final Cut Pro Legacy › Canon 5d MkII field dominance
-
Steve Martin
November 14, 2009 at 7:54 pmThanks! I have been advised elsewhere to conform to 29.97 and I have tried LT with good results also.
Best always, Steve -
Steve Martin
November 14, 2009 at 8:23 pmThanks Gary. The clips show a field dominance of odd after import into the browser from HD. I would think they would have field dominance of none if they were truly progressive material?
Best always, Steve. -
Tom Wolsky
November 14, 2009 at 8:35 pmAnd FCP would know to set this to none because……? There is no way for it to tell the material is progressive, and as Gary said 1080 as a video format is normally interlaced.
All the best,
Tom
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop” -
Steve Martin
November 14, 2009 at 9:07 pmThanks, That makes sense. By the way the material looks gorgeous on the latest LED monitors.
Best always. Steve. -
Gary Adcock
November 16, 2009 at 2:33 pm[steve martin] “Thanks Gary. The clips show a field dominance of odd after import into the browser from HD. I would think they would have field dominance of none if they were truly progressive material?”
It is called PsF or a Progressive segmented Frame
https://forums.creativecow.net/readpost/193/875880it is the default transport of a baseband video signal as designed for all 1080 HD formats. While there are True P setups available they require a hardware card that has that feature set enabled and a display that can handle a True P signal in 1080 (most consumer monitors cannot)
gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows for the Digitally Inclined
Chicago, ILhttps://library.creativecow.net/articles/adcock_gary/AJAIOHD.php
Reply to this Discussion! Login or Sign Up