Activity › Forums › Adobe Premiere Pro › Can PP CS6 create proxy media upon import?
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Can PP CS6 create proxy media upon import?
Posted by Shawn Larkin on June 6, 2012 at 3:10 pmI know the PP is renowned for being able to edit “anything” natively. And that is great.
However, if I want to work with files that ought to be transcoded — obscure codecs like XVID or DIVX and beefy uncompressed files — is there any way I can setup PP to transcode for me upon ingest? Maybe there is some kind of linking automation between Media Encoder and PP to do this?
Thanks in advance.
Wolf Lawrence replied 10 years, 6 months ago 6 Members · 7 Replies -
7 Replies
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Alex Udell
June 6, 2012 at 4:57 pmThis is part of the functionality of Adobe Prelude.
Sort of like Log and transfer in FCP.
But can:
1) mark and stay native, send to PPro
2) mark and generate selects in one or more alternate codecs of your choosing, send to PPro.I think that if you don’t see presets you want for codecs you can make them in AME and they should show up in all 3 apps (AME, PPro, and Prelude).
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Shawn Larkin
June 6, 2012 at 7:19 pmDo you know if you can setup watch folders with Prelude?
And is it available to install on multiple machines with a single license since Producers, Assistants, and Media Wranglers, would have the most benefit using it over a network to prep an edit?
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Alex Udell
June 7, 2012 at 2:28 amWatch folders are a feature of AME.
Nope Prelude is a full on application, so simultaneous users require multiple licenses.
I don’t know about floating it…that’s an adobe question….
Alex
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Angelo Lorenzo
June 7, 2012 at 4:07 amYou might want to contact Adobe about volume licensing. Prelude isn’t listed as being licensed separately from Production Premium but it might be arranged under their volume licensing program https://www.adobe.com/volume-licensing/benefits-by-role.html
That is, if you figure out Prelude is what you actually need.
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Todd Kopriva
June 12, 2012 at 11:17 pmAt the moment, you can license Prelude separately through the Adobe Volume Licensing / Transactional Licensing Program:
https://www.adobe.com/volume-licensing/business/transactional-licensing-program.html
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Todd Kopriva, Adobe Systems Incorporated
product manager, professional video software
After Effects team blog
Premiere Pro team blog
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Eric Smith
March 4, 2013 at 11:57 pmSo if my producer and I both have CS6 Prelude, I can:
1. Make a low-res transcode (H.264?) of my original native P2 DVCProHD footage
2. Send it to him via Creative Cloud
3. He can mark it up with in and outs and comments in Prelude
4. He can send it back to me
5. And then I can take that XML data back to my original native files and make full-res selects to edit with?This would make my life so much easier. Please tell me it can be done.
And please point me to some documentation or tutorials on it. I can’t seem to find anything that get’s too deep into Prelude yet.
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Wolf Lawrence
October 28, 2015 at 7:43 pmcan prelude handle MTS natively better than PPro? i see no reason it could unless it creates its own proxies.
so to load 4hrs of MTS and start logging in/out points for most likely takes to send to PPro (to relay only pre-trimmed good candidates), it sounds like i’d need to make my proxies first for all the footage, then open those into Prelude. am i right?
in fact, it sounds like i could use proxies more for prelude than PPro since it will deal with ‘all the footage’ whereas PPro will get a fraction of it.
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