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Camera Master Deliverable Issues… any suggestions?
I’ve seen posts on archiving but has anyone come up with a reasonable workflow for having to deliver “camera masters” to a client. We will essentially have no choice but to output the captured material back to tape in order to deliver it to the client after project completion.
Here are some point by point issues we’re considering as we try to decide if we can shoot the project using the HVX-200 (we need to use small form factor cameras).
– Is the front end time savings of file transferring worth the back end hassle of dumping material out to tape? How long does transferring an 8gb p2 card or firestore with 100min storage take?
– File naming / grouping. Our edl’s will obviously reference file names & TC but we also should have a “reel name” as well. Is there a method for creating this upon capture or xfer? We’d be working in FCP 5.1+
-Also, since the “tapeless” capture formats don’t correlate to the assorted tape lengths that we would likely output to, is there a suggestion on how to group the media for output so that the edl will make some sense later on?
– Has anyone come up with a managable solution for this?
Thanks!
Manny
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AJA Kona2
do the recording systems (p2 cards or firestore) allow for the addition of a “reel name” for the media device? group captured from the device as we deal with the “reel name” in FCP?