Welder
a little late to the party but….
EDL’s can only represent one track of video so:
make sure all the video you want to transfer or cc is on one track say V1, take any nests you have and copy them to the same track but at the end of your sequence. if your nests are multi layered, you have to string out all the layers onto the one track. same goes for motion etc (you probably already know this)
export an A mode list out of fcp, import it into microsoft excel as a tab delimited text file starting at the first row of actual edit data ie skip the header.
select the column that lists your source-in times (the first tc column) under Data select Sort. it should ask you if you want to expand the selection, say yes. sort by asceneding based on the source tc column, voila! a c mode list! its not an edl, but a colorist can use it. print it out. maybe the colorist has a program that reads tex files, so take the excel file and save it as tab delimited tex onto a cd or a floppy (remeber those?)
we do this al the time, as the concept of Digital Intermediate has not quite caught on here, so we are always doing a one light transfer, then retransfering uncut selects based on timecode. make sure ALL your shots are in the list by going through the list shot by shot (it seems no matter how carefully i do the above procedure, i sometimes find a shot missing from the list)
if you are nervous about excel, find someone who knows it.
hope this helps
bee eph