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BMD Hyperdeck, AJA Ki Pro, SoundDesign Pix or AtomOS Samurai?
Hi all,
I’m looking for some advise and feedback on digital field recorders from Premiere editors.
We shoot a lot of footage with an AF-100 and love the shallow dof look of the camera, but for some post production projects (green screen shoots) I really can’t use AVCHD as a recording format. So I’m thinking I’d like record to an external device. Mostly I’m looking for your thoughts & experience on the ones mentioned in the subject line (and any others?).
A few specific questions for any/all of these models:
- Does the timecode generated by the camera flow into the recorder via SDI?
- Is there a way to have the record trigger on the camera also trigger the outboard recorder (in effect giving me a set of AVCHD back-up with matching time code)?
- File naming system – love it? hate it? For example, I find the AF-100 file naming system annoying since it re-sets the file name to MTS 0001 with every card
- What surprised you (good or bad) when you started using an external recorder?
Thanks so much for helping me make an informed decision!
Best,
SteveProduction is fun – but lets not forget: Nobody ever died on the video table!
http://www.OmniNewMedia.com
http://www.GreenSlateStudios.com