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  • Best way to edit a multicam project

    Posted by L Isha on October 8, 2005 at 1:31 pm

    Hello to all,

    An earlier post has prompted yet another question on multicam. 🙂 Any thoughts on the best way to edit the following multicam project…

    This is for a performance show for broadcast. The talent performed to music tracks. Four cameras were used for EACH take. There are 4 takes. That’s 16 angles. The first two takes concentrated on 2 stationary cameras one concentrating on wide and the other concentrating on close-ups while the jib and steadi-cam ran without getting in the way of the wide and cu shots, the 3 rd take concentrated on a jib shot with the other cameras running and the 4th shot concentrated on a steadi cam shot with the other cameras rolling.

    Thoughts on condensing all this footage into one performance clip? Shot on DVCPro50/24P advanced, 16×9.

    As always, thanks in advance.

    Lisha

    FCP 5
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    David Bogie replied 20 years, 7 months ago 2 Members · 1 Reply
  • 1 Reply
  • David Bogie

    October 8, 2005 at 6:35 pm

    You seem to be asking about the best way to do it your way and that would be to have more than one brain.
    Do you have previous multiple camera experience such as calling for live switching? It gets very simple if the crew was prepared and the director was in tune.
    I directed multiple camera sports events, each camera operator had a job and the replay operators had theirs. We trusted each other, it was a blast.

    I’d approach this in a way that delivers your preliminary editorial decisions into the 4×4 multiclip display. Open each clip separately, place a black layer — or a keyframe to go to black — over ever bit of useless footage. Make broad, sweeping decisions to eliminate everything you do not want to use yet. You will be revisiting every reel later to pull for color, cutaways and effects; that will all be done in the fine cut.

    I would also add a text item or some other color-coded signal to indicate the very best stuff, your favorite shots, shots you absolutely want to include. Again, you must make broad calls. Don’t concentrate on the little stuff or you’ll never get anywhere.

    You will end up with a 4×4 display that has a lot of black holes and colored dots. The dots indicate your limited choices for any given instant. The black holes are easily ignored. This is an easy way to make your first several versions of the big cuts by using duplicates of the 4×4.

    Export your several versions of this multiclip as single movies and then start making your more interesting artistic and stylistic decisions. But you have to start with the big picture.

    bogiesan

    This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”

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