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  • Best format to encode mts to edit in final cut hel pls!!

    Posted by Shawn Speller on April 25, 2012 at 1:28 am

    Ok I have found out media encoder converts those dreaded stand alone mts files great news. So the footage coming into encoder is avchd 1440×1080, they are big clips averaging 20mins each.So my question is I am doing the edit in fcp6, should I encode them as apple pro res 422 or H.264? Secondley, the client wants a exported video for youtube 1280×720 should I change the frame size in adobe media encoder or when i export my final from fcp 6?

    Thanks in advance!

    Shawn Speller replied 14 years ago 3 Members · 9 Replies
  • 9 Replies
  • Steve Eisen

    April 25, 2012 at 1:35 am

    In FCP 6, use ProRes 422. This will make your edit easy on you. The files will be huge. Export a Ref movie from FCP and convert to h.264 in Compressor. 4-6k Bit Rate for YouTube.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Shawn Speller

    April 25, 2012 at 1:40 am

    Thanks steve, would you suggest keeping it 1440x1080for the edit the export from fcp 1280×720 video. Also when you say export a reference video you mean selecting export as a qt movie opposed to qt conversion right? I haven’t used this method too much before, do you have any tips for the settings in export as qt movie?

  • Steve Eisen

    April 25, 2012 at 2:24 am

    When you transcode your footage to ProRes, it will come in as 1920×1080. Drag a clip into FCP Timeline and click yes. This will create a ProRes 1080 sequence for you to edit in.

    Do not use QT Conversion. Select Export QuickTime Movie and uncheck self-contained movie. Do not change any settings. Keep current settings.

    Take a look at the FCP Manual (Help tab) to review these steps.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Jan Janssen

    April 25, 2012 at 11:25 am

    Pro res is indeed your best option but if you are editing for youtube Pro Res is a bit heavy.
    Therefore you have Pro res Proxy and Pro res LT . This conversion is does not make the files as big and are easier on your system.

  • Shawn Speller

    April 25, 2012 at 12:14 pm

    Thanks bart now will prores lt or proxy maintain the quality of the original footage?

  • Steve Eisen

    April 25, 2012 at 1:11 pm

    ProRes is your only option. You would need FCP 7 to use ProRes LT or ProRes Proxy.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Shawn Speller

    April 25, 2012 at 1:39 pm

    Ah yes I am working from fcp6, so I will have to just go with prores 222, now as a test I did however use the H.264 codec exporting a mov from adobe media encoder then editing with that, In fcp it doesn’t look too different just a little darker but half the file size, is this a no no?

  • Steve Eisen

    April 25, 2012 at 6:44 pm

    [Shawn Speller] “In fcp it doesn’t look too different just a little darker but half the file size, is this a no no?”

    In FCP, it is not recommended. Adobe Premiere handles h.264’s better.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Shawn Speller

    April 25, 2012 at 7:06 pm

    Thamks a lot steve this thread has been a lot of help. I currently have my batch encode going, after a little trouble shooting with media encoder and their disk full error when i have 4.7tb at my disposal, but non the less the files are coming out dandy. I can’t wait to begin editing this especially since the client wants it friday, lots of coffee and long days ahead of me.

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