Beginning to appreciate Final Cut

[Jeremy Garchow]

You can’t really navigate multiple still frames at once, but go to in point is shift-i.

Thanks for being a person posting something positive! 😀

[Tom Wolsky]

I sorry I don’t understand the question, or are you talking about how to do this on an Avid?

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP6,” “Basic Training for FCS2” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

[Tom Wolsky]

You shouldn’t need to do that in FCP with stills. It always opens the graphic into the viewer with the playhead at the In point. Doesn’t it?

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP6,” “Basic Training for FCS2” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

[Jason Brown]

I’ve complained enough…and thought I’d say something nice! 🙂

BTW, I have -go to in- mapped to the “q” key and go to out – “w” key. That was one of my first changes to the keyboard.

Here’s another thing I love about Final Cut…

You can set the amount of keyframes -Peak/All/Limited – it records when doing a “record keyframe” function. That is awesome…I can’t tell you how often I change that based on how perfect my audio changes need to be.

***Now if only there were a way to delete multiple audio keyframes at one time***

[Jason Brown]

No…here’s from the FCP manual:

“If the clip is newly imported and has never been opened in the Viewer, Final Cut Pro uses that clip’s starting frame, since that is the default starting position for a clip.”

[Jason Brown]

Tom,

I thought about my last response…and you are kind of right. If you drag the clip from the browser or viewer…it WILL use the in and out points set. However, the playhead is sitting at the first frame. The action I was doing was a “replace” edit…which uses the current placement of the playhead, NOT the in point. That’s why I was trying to move the playhead to the in point on multiple clips that I was doing a TON of graphic replacements.

-Jason

[Jeremy Garchow]

[Jason Brown] “That’s why I was trying to move the playhead to the in point on multiple clips that I was doing a TON of graphic replacements. “

Yep, it’s rather annoying, but hit q, then f11, and you’re golden.

Jeremy

[Tom Wolsky]

I use the ‘ key to go to In of a new clip. I wouldn’t change q; it’s one of my favs, toggles the viewer and canvas or switches to the viewer from the timeline.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP6,” “Basic Training for FCS2” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

[Jeremy Garchow]

I use the ‘clear’ button on my number pad to go to in, = button to go to out. And / to mark in and * to mark out. All of these on the number pad.

Jeremy

[Tom Wolsky]

Oh you have one of those big, fancy keyboards, with all those extra keys. I’m almost always on a laptop.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP6,” “Basic Training for FCS2” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”