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Basic workflow / grading question
I have a load of footage shot on DSLR and GoPro in varying sizes and frame rates. I have built myself a good PC and can drop the lot, even the 2.5K GoPro stuff strait from the camera, onto the time line in Premier Pro and it all seems very happy. I can round trip to After effects for little things, though the dynamic link is not working, but I am unsure where and when to do the grading. If i edit it all and export as 1080 then bring it into a grading program then I’m worried that the larger clips would have been better graded before any export.
I have Resolve and I would like to work on as I am looking to moving onto this in the future. When i say grade I mean colour correction and shot matching and such nothing to involved but this stuff shot on these cameras falls apart very quickly so I’d like to find the best workflow for it. -
2 Replies
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If you are using the Creative Cloud version of the apps you could give SpeedGrade a shot. For use with Resolve you can export an XML from PPro and then import that into Resolve. This will allow Resolve to recreate your timeline and link to the original material (no need to export a 1080p file from PPro).
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Thank’s I look that up and work out how to get it into Resolve. I’m sure Sped grade is very good but I’ll just learn the one but of software for now.
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