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  • Bars and Tone (HD 1080i60)

    Posted by Bill Kelly on December 13, 2006 at 3:50 pm

    I have a question regarding the Bars and Tone (HD 1080i60) generated by FCP. Are these bars set at 100% saturation or 75% saturation? I did a search on posts and read some of the replies and to be honest I’m more confused than ever.

    If the bars are at 75% then great. I assume they would also stay that way after you downconvert your HDCAM to digibeta?

    If the bars are at 100%, how can I make them 75%? The same downconvert question applies here too.

    I’d really like a straightforward answer as to whether the bars generated by FCP are 100% or 75% saturation.

    Thanks for your help!

    Bill Kelly replied 19 years, 4 months ago 2 Members · 4 Replies
  • 4 Replies
  • Glenn Chan

    December 13, 2006 at 4:41 pm

    1- Saturation can be an ambiguous word. If you follow an intuitive sense of saturation (like the HSL color picker), then both 75% and 100% bars are 100% “saturated”.
    If you mean chroma (and this is unintuitive), the 75% bars are 75% “saturated” and the 100% bars are 100% “saturated”.

    Perhaps this is why you are confused? Saturation can refer to either of these two concepts (and it probably shouldn’t).

    2- In the bars generated by Final Cut, the chroma is 75% of the maximum (as opposed to 100%). This is the kind of color bars you usually see. The 100% bars (chroma is 100% of maximum) is illegal to broadcast (since broadcast is more limited in bandwidth than studio/production use) and not as commonly found.

    3- Bars going from HDCAM to dbeta usually give you the correct SD bars. In rare occasions, you can get the wrong levels in the conversion- bars will let you spot this.
    a- In consumer equipment (or poorly implemented equipment), they do not downconvert correctly.
    b- (Nothing to do with FCP.) In some cameras, you can change the colorimetry setting so that the camera uses a different set of luma coefficients. The bars generated by the camera will reflect this.
    c- The Teranex converters can tweak the colors of an image to account for differences between EBU, SMPTE C, and Rec. 709 phosphors/primaries. I believe this affects the color bars too. You can insert correct bars on the SD master.

  • Bill Kelly

    December 13, 2006 at 5:23 pm

    Thanks for responding glenn. So if one of my delivery specs is “SMPTE Color Bars at 75% saturation”, the FCP bars are a perfect fit? I think that’s what you’re saying.

  • Glenn Chan

    December 13, 2006 at 7:12 pm

    Yep!

  • Bill Kelly

    December 14, 2006 at 1:15 pm

    Great! Thanks, that’s what I needed to know!

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