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Backlighting VX2000 vs Panasonic AC130- Ideas?
I loved the way the Sony VX2000 could quickly control too much backlighting in run and gun scenes. When a bride starts down the aisle a simple use of the VX2000 backlight button corrected the scene quickly. The Panasonic 130 doesn’t have such a quick fix. Any suggestion? I edit in Adobe Premiere 5.5 and the addition of a filter solved the problem quite nicely (much better then FCS 7 could ever do). I’d rather correct lighting issues in the cam though.
“Memories of today, Recorded for tomorrow.”
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