Actually, you might find the Symphony colour correction to be sufficient for a lot of jobs that don’t need an elaborate look applied, just some balancing and matching. A correction done on one clip from a tape, file, or whatever you specify, can then be automatically applied to other clips in your sequence from the same source. Even if you never go deeper than the colour tools from Media Composer, this is a biggie. I have been able to, for example, set up an elaborate grade on the A shot of a studio show and apply it throughout on every A shot in under 15 minutes. When there is no budget or time, Symphony I can be amazing. That being said, the Symphony colour tools are desperately in need of a refresh.
Boris Continuum Compete 8 is included with Symphony as well. I think the $999 price is cheaper than an upgrade to MC 6 and BCC separately. MC/Symphony 6 is 64 bit and the difference is noticeable, even if you ignored any new features.
Dennis
Dennis Kutchera
EggStudios.ca