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  • Posted by Craig Johnson on March 11, 2014 at 2:18 am

    I can never seem to find the previous post that’s just like my issue. I have a short sequence with 2 people talking, recorded at different times. The female voice sounds ever so slightly like she is in a hall. Just the slightest echo or reverb to it. I think the mike was just a bit too far and she projected a bit too much. This issue makes the voices sound vastly different and she is a bit hard to understand. Can anyone recommend a filter or a process that can eliminate that echo sound. Thanks.

    Craig Johnson replied 12 years, 1 month ago 4 Members · 6 Replies
  • 6 Replies
  • Mark Suszko

    March 11, 2014 at 1:36 pm

    You might try using a gate filter, with an aggressive attack/release time, but really, I think you’re out of luck, sorry.

  • John Fishback

    March 11, 2014 at 2:42 pm

    iZotope’s RX3 has a Deverb filter (it may only be in RX3 Advanced) that might help. In addition to Mark’s suggestion you can try adding a bit of eq in the 200-400Hz range to add some warmth and body as long as that doesn’t exacerbate the issue. And you can try sweeping the frequencies with a parametric eq with a narrow Q that’s set to maximum cut to see if you can find a freq that decreases the offending sound. If you find the spot, then adjust the eq cut so you just start hearing the improvement. Don’t cut too much.

    John

    MacPro 8-core 2.8GHz, 16 GB RAM, OS 10.8.4, QT10.1, Kona 3, Dual Cinema 23, ATI Radeon HD 5870, 24″ TV-Logic Monitor, ATTO ExpressSAS R380 RAID Adapter, PDE enclosure with 8-drive 6TB RAID 5
    FCS 3 (FCP 7.0.3, Motion 4.0.3, Comp 3.5.3, DVDSP 4.2.2, Color 1.5.3)
    FCP-X 10.0.9, Motion 5.0.7, Compressor 4.0.7

    Pro Tools HD 10 w SYNC IO & 192 Digital I/O, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec DSP Monitors, Prima CDQ120 ISDN

  • Craig Johnson

    March 12, 2014 at 1:22 am

    I’m glad there are a few possibilities anyway without going right to re-record. Quick question: Are these suggestions to be performed in FCP7 or do it Soundtrack Pro?

  • John Fishback

    March 12, 2014 at 2:42 am

    Soundtrack Pro has better tools.

    John

    MacPro 8-core 2.8GHz, 16 GB RAM, OS 10.8.4, QT10.1, Kona 3, Dual Cinema 23, ATI Radeon HD 5870, 24″ TV-Logic Monitor, ATTO ExpressSAS R380 RAID Adapter, PDE enclosure with 8-drive 6TB RAID 5
    FCS 3 (FCP 7.0.3, Motion 4.0.3, Comp 3.5.3, DVDSP 4.2.2, Color 1.5.3)
    FCP-X 10.0.9, Motion 5.0.7, Compressor 4.0.7

    Pro Tools HD 10 w SYNC IO & 192 Digital I/O, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec DSP Monitors, Prima CDQ120 ISDN

  • Tom Matthies

    March 12, 2014 at 2:26 pm

    Did you also have a mic mounted on your camera and, if so, are you possibly using the camera track(s) in your sequence?

    E=MC2+/-2db

  • Craig Johnson

    March 16, 2014 at 10:34 pm

    Just to follow up. I tried the free trial of Izoptope RX3 Advanced. Really good stuff. The de-reverberation filter made it completely go away. Problem is I just can’t pull the trigger with the cost of it as I couldn’t say when I would ever use it again. You can’t keep the repair with the trial. For the money the software costs, we are better of financially re-shooting. But, for those of you with deep pockets, I urge you to try that package, it has automated and manual features. The denoiser is excellent too. Thanks to all that had input here.

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