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Activity Forums Adobe Premiere Pro audio imports too hot quite often

  • audio imports too hot quite often

    Posted by Tad Newberry on May 12, 2015 at 5:15 pm

    several times i’ll import a music clip and the waveforms are crushed at the top. of course, i can turn the gain down, but the tops are still crushed (flat tops) even though now not as loud. the clips don’t usually sound too distorted, but sometimes i can tell. just thought i would finally ask about this one. have any of you experienced this?

    thanks for helping out a bonehead!
    __________________________

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    Tad Newberry replied 5 years, 5 months ago 4 Members · 4 Replies
  • 4 Replies
  • Andy Field

    May 12, 2015 at 5:58 pm

    Typically recorded music is compressed and normalized so the peaks stay high…when you import you can select all your music clips before editing….use the gain command (search in your keyboard shortcuts for gain and assign it a keyboard shortcut if you’d like) and lower it by 6 to 10db….when you edit, the loudness and distortion shouldn’t be there.

    Andy Field
    FieldVision Productions
    N. Bethesda, Maryland 20852

  • Paul Neumann

    May 12, 2015 at 9:06 pm

    My workflow for CD or mp3 imports: Import, highlight them all in the Project Bin, hit G, enter -10.

  • Tim Morris

    December 8, 2020 at 2:39 am

    I’m having the exact same problem, not only with music files but some older video clips. So far nobody has an answer … to lower the volume BEFORE you import.

    I know this post is 5 years old, lol, did you ever figure it out? thanks

  • Tad Newberry

    December 9, 2020 at 4:35 pm

    Hi Tim,

    Nope…i never got a resolution. It’s weird…the music clips don’t really SOUND like they are crushed at the peaks all that much, but i’m just assuming when their waveforms look like that, they’ve got to be at least a little sub-par. You might try Paul’s reply (from 5 years ago), but it doesn’t seem to affect the actual importing level, rather only modifying the level once it’s in the bin.

  • Bill Celnick

    December 11, 2020 at 3:42 pm

    Years ago I attended a workshop given by Larry Jordan when I was still working with FCP7 – he suggested normalizing music in a video timeline to -4.5 db, so usually when about to work with a new track I’ll bring it in to Audition first, normalize it, and convert sample rates there, then import into Premiere.

    When you say “crushed” at the top, are we talking about flat peaks that look like they’ve been run through a hard limiter, or sound that was clipped and run through a declipper filter?

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