Is is me, or should poison be sent to this gentlemen ?
Michael writes –
I’ve been trying to figure out the best way to monitor (and control level) audio through my Kona 3 and Final Cut for a few days now and I just keep running into problems.
There is balanced AES audio coming out of the KONA card, so there must be some relatively easy way to do this. I WAS powering my BX5 speakers from the Kona card directly via rca, but the only way I could control the volume was by getting up and manually adjusting each speaker so.
REPLY (as we go along) – there is a new invention – its’ called a MIXER. They cost less than $100, and you can keep your fat ass on the chair, and turn a simple knob. If you don’t like the word “mixer”, you can get a Mackie BIG KNOB which is a fancy expensive volume control for $299.
I spoke to the guys down at Mac mall and they suggested a pre-amp called the “M-Audio Firewire 410”, which is being fed a signal via firewire and is in turn feeding the speakers. Somehow this seems like an extra step that I shouldn’t have to take. I just spent over 2K on a damn good capture card ( that also puts out audio)… so I might as well utilize it to it’s full potential.
REPLY – you spoke to the guys down at Mac Mall ? How about talking to the guys at your local music store (that sell cheap mixers), or how about talking to the guys at your local stereo store (that sell stereo receivers and preamps). This is an AUDIO ISSUE, not a COMPUTER issue. If you spend over $2000 on a DAMN good capture card, how about spending less than $100 for a mixer to control your levels.
Someone else mentioned using a Mackie 1402 mixer as an option. Apparetnly, I can come out of the Kona card into the mixer and then into the speakers… however the mac mall guys say mackie is super ‘noisy’ and not the best way to go.
REPLY – the Mac Mall guys are COMPLETE IDIOTS and have no idea about broadcast audio, or the professional audio industry. Why on earth are you asking people at MAC MALL about anything other than getting a new keyboard or DVI monitor ? The Mackie 1402VLZ is an EXCELLENT audio mixer, and will work perfectly for this application, but if you want to spend less money, go down to your local music store (or mail order place like B+H Photo or Musicans Friend) and get even a cheaper audio mixer. All you are doing is monitoring audio.
You own excellent M-Audio BX5 speakers (made by AVID) – a small Mackie or Behringer will work just fine for you. Just PROMISE ME that you will NEVER EVER ask a computer store about buying audio or video equipment. If you ever ask Mac Mall what Sony VTR you should buy, I will have to kill you.
I’m stuck in the middle here… All I want is to be able to control the damn level on my speakers (through final cut, soundtrack, itunes ect..) without coming out of the standard mac/ mini-jack and without using some extra piece that I don’t really need. (I don’t mind buying something that’s going to work)… but this M-Audio firewire 410 seems BUGGY and backwards for this application
REPLY – you are not stuck. When you get the mixer, you can listen to your VTR’s, your MAC G5, your Knoa, and everything else. If there is only one lesson you learned here today, it’s that the MAC MALL people KNOW ABSOLUTELY NOTHING about professional audio, and you shoudl NEVER EVER EVER ask them a question ever again about pro audio gear. Now get that audio mixer, and get back to work. You will be fine. By the way, when you monitor your audio via FCP using the Kona card, ALWAYS monitor the Kona, not the MAC G5, as you will have audio sync issues that will drive you crazy.
Bob Zelin