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  • Archiving codec advice

    Posted by Gautam Pandey on November 4, 2011 at 2:09 am

    Hi!

    We’ve just bought an Editshare and will begin digitising over 2000 hrs of footage.(Betacam,DV,HDV,HDCAM)

    We had almost decided Prores 422 as the codec to go with but after the Final Cut X reaction, a little uncertain about the future of Apple Prores.

    We’re looking for a codec which will be cross platform and stand the test of time.

    I keep reading DnXHD and Photo Jpeg are good options.

    Any Ideas? Whats everyone on the forums using?

    Thanks

    Gautam Pandey
    http://www.riverbankstudios.com

    Gautam Pandey replied 13 years, 5 months ago 4 Members · 9 Replies
  • 9 Replies
  • Gautam Pandey

    November 21, 2011 at 7:40 am

    Any advice anyone?

    Gautam Pandey
    http://www.riverbankstudios.com

  • Gary Hazen

    November 21, 2011 at 6:39 pm

    [Gautam Pandey] “We’re looking for a codec which will be cross platform and stand the test of time.”

    It doesn’t exist, that’s probably why you haven’t had any responses here. Both ProRes and DNxHD are fine for the near term. There’s no telling if either codec will be in use ten years from now. Some people are using h.264 (at higher data rates) for archiving. Will h.264 still be used ten years down the road? Who knows? Improved algoritms allow for more efficeint high qulity codecs. Better is always around the corner. It’s a moving target.

    Just make a decision that will best fit your needs. I know of one large enterprise level facility that decided to use ProRes as their codec for archiving. I know another (Avid based facility) that archives everything in DNxHD. And a third facility (a network) that is storing everything in XDCAM HD. Each of these choices was the right choice for that particular facility.

    Whatever you choose to use just be mindful that you may need to rewrap or transcode the files at some point in the future. By then we will have supercomptuers that will transcode your 2000 hours of footage in less than 10 minutes. Piece of cake.

  • Gautam Pandey

    November 22, 2011 at 7:11 am

    Thanks Gary. That does help, knowing there is no one perfect answer.

    Just wanted to know in your opinion which is a smarter choice for future transcoding etc.

    Apple ProRes 422 HQ or QT Photojpeg

    waiting for those supercomputers for sure! 🙂

    Gautam Pandey
    http://www.riverbankstudios.com

  • Gary Hazen

    November 23, 2011 at 3:38 pm

    If I had the need to archive 2000 hours of footage and I had multiple FCP suites available for ingest – I would probably choose ProRes 422 HQ.

    Just an opinion.

  • Gautam Pandey

    November 23, 2011 at 7:44 pm

    Thanks Gary 🙂

    Gautam Pandey
    http://www.riverbankstudios.com

  • Neil Sadwelkar

    January 21, 2012 at 7:10 am

    ProResHQ is 10-bit, while some flavours of DNxHD are 8-bit, I believe even Photo-JPEG is 8-bit.

    Whatever you go with, in 10 years it may or may have software available to decode it. So you need to watch the market and as soon as ProResHQ shows signs of going away or is not supported by Apple, you need to decode it to some other format.

    in 2006, 100-300 GB drives were the norm, in 2001, 5-30 GB drives were standard.

    In about 5 years, hard disks will be 4-5 times as dense as now, at about the same cost. SSDs will cost as much as HDDs today for the same size. It may even be possible to store everything as uncompressed. When that happens, converting ProResHQ to uncompressed has the best chances of ‘getting your original back’, sort of.

    Just like audio, we don’t think of storing it compressed any more. Its always uncompressed. Even phones and handheld devices can play uncompressed audio.

    In 10 years your handheld device will hold 2-4 TB, and your desktop will probably have 100 TB inside it. Larger 3U rack mount hard disks will be Petabytes, probably. We’ll be looking back and laughing at HDV, AVCHD, XDCamEx, DVCPro, AVC-Intra etc. We’ll only smile at ProResHQ.

    ———————————–
    Neil Sadwelkar
    neilsadwelkar.blogspot.com
    twitter: fcpguru
    FCP Editor, Edit systems consultant
    Mumbai India

  • Gautam Pandey

    January 22, 2012 at 4:35 am

    Hi Nei, thanks for responding. Proreshq was definitely a first choice, but since then I’ve done some more research and found that photojpeg is actually scalar. here is a link with some more info https://codecs.onerivermedia.com/encodes/422com.htm would be interested to hear your take on this. Thanks

    Gautam Pandey
    http://www.riverbankstudios.com

  • Brittany Delillo

    February 14, 2012 at 4:34 pm

    This was a pretty helpful thread. What did you end up using ultimately?

  • Gautam Pandey

    November 22, 2012 at 6:34 am

    Since we’re decided to shift to PC, but will continue to use our FCP suites atleast for another year we needed to look for a codec that was both PC and MAC friendly.

    After quite a bit of research it seems that AVC Intra 100 is a very competitive codec.

    This is a white paper published on it, it’s a little outdated though, but I imagine things have only improved since

    https://www.grassvalley.com/docs/WhitePapers/servers/GV-4095M-1_AVC-Intra_Whitepaper.pdf

    Any thoughts anyone?

    Gautam Pandey
    http://www.riverbankstudios.com

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