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And Desktop Adobe Rush overview from the “Premiere” FCPX site ;)
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[Bill Davis] ” ALL editors are unhappy when they get a whiff that some company might not be prioritizing what THEY prefer them to prioritize over all else. It’s human nature.”
Absolutely. Every time I see Adobe adding features to Premiere for stereo or 360 I get pissed. “What about me” I cry into the endless dark night. What about my needs, my wants, my secret desires (I’m getting a little carried away now.)
But I don’t spend a second thinking about time spent by Adobe on developing apps like XDCC or Spark or any of the dozen other apps they are working on that I have no use for. And as far as I’m concerned Rush just makes it a Baker’s dozen because it doesn’t intersect with my world any more than iMovie does.
As for other editor’s opinions, well as someone once said, you can’t fix stupid.
Herb Sevush
Zebra Productions
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nothin\’ attached to nothin\’
\”Deciding the spine is the process of editing\” F. Bieberkopf -
While we’re on the subject of broadening base, looking forward, “borrowing” ideas from other apps…I just need Apple to implement something like Project FastMask in the next version of Motion (or FCP X but I know that’s not likely)…
and get on with it with batch exporting out of FCP X or to Compressor for that matter. I loathe the idea that one day that alone is going to be the new “killer feature”.
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[Bill Davis] “Code that can’t efficiently leverage the advances in computer science from the most recent half-decade?”
Since you really don’t know, you are just being flip and rhetorical. ☺ The truth is that all modern NLEs are written on a code base that allows them to swap out modules as needed. So to say something is long-in-the-tooth, when it relates to code, really doesn’t have a lot of meaning.
Of course, yes, if you start from scratch, you can write something completely new and that *might* get to market more quickly than updating modules carefully, while trying to minimally disrupt your user base. But of course, that’s also easier to do, when you leave out a lot of the functionality.
I presume, of course, that you think FCPX is written on a more “modern code base” than Media Composer or Premiere Pro. While that may or may not be true, you have to consider that ProApps is also locked into what the macOS team does. This gives them some advantages, by not building in certain functions and leaving it up to the OS to handle. However, because Apple is very compartmentalized internally, it also means they are just as hosed – maybe even more so – when there are last minute changes for which they have little advance warning. That’s as compared with others, who, to some extend, have to work at a bit of an abstraction, when it comes to dealing to the OS technology itself.
But I was actually thinking you were referring to the operation of the software or UI.
– Oliver
Oliver Peters – oliverpeters.com
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I’ve had a chance to spend some time with the mobile version and I appreciate that it might be handy for “cloud” project, however as a mobile NLE Lumafusion seems easier to use and is more powerful.
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[Bill Davis] “I don’t know. I’m a programming moron.”
Full stop.
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[Oliver Peters] “Since you really don’t know, you are just being flip and rhetorical. ☺”
But Oliver, on this topic, that’s all I’m actually qualified to be!
Creator of XinTwo – https://www.xintwo.com
The shortest path to FCP X mastery. -
Well, if I get a “full stop.” Does that mean others here without advanced CS degrees also get the same?
Just curious.
Creator of XinTwo – https://www.xintwo.com
The shortest path to FCP X mastery. -
[Bill Davis] “But Oliver, on this topic, that’s all I’m actually qualified to be!”
☺
– Oliver
Oliver Peters – oliverpeters.com
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[Bill Davis] “Does that mean others here without advanced CS degrees also get the same?”
Having an advanced CS degree is a far cry from simply not being a “programming moron”.
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Things I like. It’s fast. It’s simple. It’s synched on all mobile devices and my desktop app at once. The projects are available on all devices as soon as their media can be uploaded. You can work locally too, if you like. I can make .mogrt files in Premiere Pro to customize and personalize mobile edits. I can import the project to Premiere Pro intact to add things that aren’t available on Rush: LUTs, effects, .mogrts from After Effects, animated elements, etc.
Let me know if you have any questions about how you can leverage this cool app to make your life easier. That’s the way I’m looking at it.
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