Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Avid Media Composer AMA linking, gamma / after effects

  • AMA linking, gamma / after effects

    Posted by Stig Olsen on September 27, 2011 at 4:40 pm

    Hi,

    We did shoot a commercial on Sony F3 (s-log / prores 422 (HQ)

    When importing these files in Avid they look contrasted just like the quicktime-files viewed in the QT-player.
    When importing these files in Avid through AMA they look more dull, not contrasty ( more like 709).

    What is correct? How should they look?

    When I import the same files in After Effects, they look exactly like they look on the original QT-files (contrasty)

    We are about to grade the film in Davinci Resolve, and Im afraid how it will look when I use AMA for import to Avid (this is our finishing tool today).

    I guess I cant apply any color profile on the ama-import. Is the ama-import really not native and as the files are shot??

    Stig

    Hans Sieber replied 14 years, 7 months ago 4 Members · 7 Replies
  • 7 Replies
  • Andrew Mckee

    September 27, 2011 at 10:42 pm

    AMA will generally try and figure out whether a file is 709 or RGB and if it is RGB, remap it to 709. If you don’t want this to happen you will have to change the source settings.

    Andrew McKee
    Editor/Colourist
    Avid Certified Instructor – MC5.5
    Apple Certified Trainer – FCP7
    Pixelwizard.net

  • Stig Olsen

    September 27, 2011 at 10:50 pm

    How is it possible to remap to RGB?
    I dont think its possible to remap or change the source settings if its not a RED-file? I know its possible to right click and change on RED-files, but I dont think its possible on other files.

  • Michael Phillips

    September 28, 2011 at 2:38 am

    With version v5.5 you can right click->source settings and set levels for QT files to be stretched to graphic levels, constrained to video levels, or remain untouched.

    Michael

    Michael Phillips

  • Stig Olsen

    September 28, 2011 at 8:28 am

    I see, guess I should update.
    But, since the material through AMA is a bit dull, low contrast I assume its 709 already and switching to RGB will probably just make it more contrasty, isnt that right?
    The problem is that I dont really know how it should look like.

    If its supposed to be dull with less contrast it is as it should be imported with AMA now. But then its wrong in After Effects because there is it more contrasty.

    What is correct?

  • Hans Sieber

    September 29, 2011 at 12:06 pm

    In my experience it`s not just simply the remapping to full range or vice versa. Apart from “locked” codecs like DNxHD/XDCAM you always have a not so slight gamma shift when using AMA. Maybe that`s what you are facing right now. I`ve been talking to several Avid guys during the last 2 years and never got a satisfying answer. But working with log files it shouldn`t matter that much as you should grade the original files. I don`t know Davinci Resolve but I might guess that it could be able to grade the clips as they were shot. Using a EDL/AAF sequence export e.g.
    And no, you can`t apply a LUT on the files during Import or AMA. At my post house we are shooting on RED/Alexa and do the baselight grading using the Nucoda Filmmaster. These files are being prepped for import into Avid. Afterwards we revert back to the Original files.
    Yours sincerely
    Hans

  • Stig Olsen

    September 29, 2011 at 3:51 pm

    Thanks for your answer!

    I guess its ok with the gamma not being 100% correct with AMA-import as we grade the original files in Resolve.
    But, when the original files are imported in After Effects the colors and gamma is VERY different.
    Its like the original files in Avid (AMA) is more dull (709) with no contrast, as it should be – and in After Effects they are treated more like RGB. And yes, I have changed the color profile to 709, but it doesnt matter, it still looks like RGB with hard contrast.

    That is a problem, because it should be possible to see the clips in 709 or more like the originals, as the VFX often is adjusted related to the colors and gamma.

    I guess the question is: Is it not possible to see the S-log files in AE with the same gamma (709) as in a ama-workflow in Avid?

    The thing that confuses me even more is that the gamma (when viewing the file in quicktime) is more contrasty/ more like in AE, but I guess this can be a quicktime-player problem.

    As the original files look almost the same in quicktime player and in After Effects, its easy to assume that THEY are treating the footage correct and that AMA Avid is not.
    But, if AMA Avid views it correct, then Quicktime player and After effects is not showing it correctly.

  • Hans Sieber

    September 30, 2011 at 4:59 am

    I`ll try to give my best shot. I´m no AFX expert, but are you able to apply the correct LUT for the S-Log files during “import”? I think there might be a trap waiting for you in your workflow. Are integrating CG in AFX or are you doing 2D work? Without the correct LUT being applied I don´t see how you could integrate CG without a lot of back and forth.
    But I´m no expert in that! Just a guess from my experience.
    Are the Avid and AFX on the same platform? (MAC/Windows) cause there is a problem viewing ProRes files. They tend to look diferent on either platform. With what version of QT are you watching them? QT X supersaturates/HiCons all content. QT 7 is far more reliable.
    In the end I would not trust the AMA! As already mentioned in my other post, the AMA is still under counstruction and not to be trusted if you`re not working with propitary codecs.
    Youts sincerely
    Hans

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy