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Activity Forums ARRI Alexa: Single or double system

  • Alexa: Single or double system

    Posted by David Battistella on June 2, 2010 at 5:31 pm

    Hi,

    As I have not seen the Alexa in person yet.

    Is it possible to capture single system or does it always require double system.

    I did not see audio inputs on the body and there do not seem to be any recorded audio specs on the website.

    Thanks in advance.

    david

    Gary Adcock replied 14 years, 7 months ago 4 Members · 11 Replies
  • 11 Replies
  • Gary Adcock

    June 2, 2010 at 8:59 pm

    [David Battistella] “Is it possible to capture single system or does it always require double system. I did not see audio inputs on the body and there do not seem to be any recorded audio specs on the website. “

    There is a standard 5pin xlr connection on the front of the camera for stereo audio input and a mini stereo for headphone monitoring.

    There are no other analog outs on the camera however. Pro Audio output is embedded in the HDSDI only.

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows for the Digitally Inclined
    Chicago, IL

    https://blogs.creativecow.net/24640

  • David Battistella

    June 4, 2010 at 8:21 pm

    Gary,

    Is that recording a 24 bit 48K signal to the stereo file? Like for example, the prores file is full quality or is it just a reference for double system?

    David

    Peace

  • Gary Adcock

    June 7, 2010 at 11:43 am

    [David Battistella] “Is that recording a 24 bit 48K signal to the stereo file? Like for example, the prores file is full quality or is it just a reference for double system? “

    Alexa’s internal recording of ProRes would qualify for both. Internal audio recording will be as 24bit 48K to conform to the highest Apple spec for ProRes but the quality would depend on whether you are shooting as PR4x4, HQ or you choose to capture as ProRes LT or Proxy as offline materials and then link back to the uncompressed or Arriraw masters that were recorded externally.

    The Alexa shown at CineGear showed all 5 flavors of ProRes were available and that would allow offline/ online or with the mastering versions of ProRes there is no reason that Direct to Edit could not be implemented

    ga

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows for the Digitally Inclined
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Mike Most

    June 8, 2010 at 4:19 pm

    >The Alexa shown at CineGear showed all 5 flavors of ProRes were >available

    That’s not what I saw. I saw and heard Glenn stating that although all flavors will ultimately be available, ProRes 444 will not be available at launch. It will be made available with an upgrade sometime after that.

  • Larry Young

    June 8, 2010 at 6:21 pm

    Hmm, not having seen or worked with this camera, it sounds like the internal audio is for reference only (unlike Sony or Panasonic HD Cameras) and that a double system recording would be necessary to get a good mix. Is this correct?

    Lawrence S. Young
    Best Shot Productions
    Maine•New York•Colombia
    421 Paradise Road
    PO Box 110
    Bethel, ME 04217
    Home: 207-824-3119
    Cell: 508-494-3111
    Email: lsyoung@megalink.net
    Link to work: https://my.media-match.com/lawrence.young1

  • David Battistella

    June 8, 2010 at 9:28 pm

    I’m trying to get to the bottom of that in this thread.

    I’m pretty sure it’s double system because there is no mention of the audio record capabilities.

    David

    Peace

  • Gary Adcock

    June 8, 2010 at 11:29 pm

    Hey Mike,
    I did not see you there. You are correct that not all of the flavors will be available at first, and likely only one ProRes version in the first cameras released, so I have heard the same that you have also, but the camera there at the booth was showing all 5 versions ( 4444 to Proxy) in the menus.
    Did you go over all of the menu outputs listed? I asked a couple if they were all accurate as there were couple of odd ones in the list I am still trying to understand what the output labeled as 1.5G 444 could possibly be.

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows for the Digitally Inclined
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    June 8, 2010 at 11:33 pm

    David,

    Why would you assume scratch only audio? The 5in XLR input is at the front of the camera not the rear, so maybe that is confusing to some, but the camera will record professional quality audio 24bit @ 48k that is not scratch audio in my world.

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows for the Digitally Inclined
    Chicago, IL

    https://blogs.creativecow.net/24640

  • David Battistella

    June 8, 2010 at 11:39 pm

    ust have not seen it “promoted” so I’m just trying to get some clarity on this.

    I imagine most people will still to double system, but I like to know that the audio will be full quality which you just confirmed.

    Great news.

    Thanks Gary.

    David

    Peace

  • Larry Young

    June 10, 2010 at 3:26 pm

    But how many channels of audio in? One, two or more?

    Lawrence S. Young
    Best Shot Productions
    Maine•New York•Colombia
    421 Paradise Road
    PO Box 110
    Bethel, ME 04217
    Home: 207-824-3119
    Cell: 508-494-3111
    Email: lsyoung@megalink.net
    Link to work: https://my.media-match.com/lawrence.young1

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